OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Morris & Co., London, England” — 60 records examined, 14 dropped by the rights gate.
Archives queried 2026-09-05 05:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Footed goblet with bulging bowl
Philip Webb · 1860
Honeysuckle
May Morris, British, 1862–1938 · 1883
Settee
Sir Lawrence Alma-Tadema · ca. 1885
Vine
Morris & Co., London, England · 1873
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket
Artist not stated in the record · ca. 1173–80
Adam and Eve, Design for Stained Glass Window, Frankby Church, Birkenhead (Cheshire), England
Sir Edward Burne-Jones, English, 1833–1898 · May 27, 1870
King David the Poet
Sir Edward Burne-Jones · 1863
Wey
Morris & Co., London, England · designed 1883
Wild Tulip
William Morris · 1884
Textile
Morris & Co., London, England · ca. 1890
Trellis
William Morris · 1864
"Sussex"
Morris & Co., London, England · late 19th century
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
Dante Gabriel Rossetti · 1862
Design for Stained Glass Window, St. Paul's Church, Boston, MA
Sir Edward Burne-Jones, English, 1833–1898 · 1870–74
A Blacksmith's Shop
Richard Earlom · August 25, 1771
Design for Stained Glass Window, Saint Peter's Episcopal Church, Albany, NY
Sir Edward Burne-Jones, English, 1833–1898 · ca. 1870
A classical landscape
Jean-Baptiste-Claude Chatelain · 1730–58
Bird and Anemone
Morris & Co., London, England · designed 1882
Copy after "Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)"
Bernard Lens
Design for Stained Glass, Southeast Window Nave, Paisley Abbey, Scotland
Sir Edward Burne-Jones, English, 1833–1898 · 1874
Madonna and Child
Luca Signorelli (Luca d'Egidio di Luca di Ventura) · ca. 1505–7
Snakehead
Morris & Co., London, England · designed 1877
Curlews and Ducks
Nicolas Robert · 17th century
Kennet
Morris & Co., London, England · designed 1883
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 20 matched · 20 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 549 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 05:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.