OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Mosaic with a Peacock and Flowers” — 64 records examined, 11 dropped by the rights gate.
Archives queried 2026-09-03 05:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Quilt, Album pattern
Brown and Turner families · begun 1846
Harmony in Blue and Gold: The Peacock Room
James McNeill Whistler (1834-1903) · 1876-1877
Mosaic with a Peacock and Flowers
Artist not stated in the record · 3rd–4th century
Design for Cresting of a Comb
Artist not stated in the record · early 19th century
Mosaic floor panel
Artist not stated in the record · 2nd century CE
Interior Wall Elevation with a Sofa
Pierre Ranson, French, 1736–1786 · 1779–84
Wall light (one of a pair)
Vincennes Manufactory · birds 1662–1722, flowers and mounts ca. 1750
Bracelet
Artist not stated in the record · mid-19th century
Fragment of a Floor Mosaic with a Personification of Ktisis
Artist not stated in the record · 500–550, with modern restoration
Micro-mosaic
Artist not stated in the record · 1800–1825
Tapestry Room from Croome Court
Robert Adam · 1763–71
Fragments
Artist not stated in the record · 19th century
Rectangular tray with flowering plums and magpies
Artist not stated in the record · 14th century
Micro-mosaic
Artist not stated in the record · 1800–1825
Jamb stove
Samuel Flower · 1756
Micro-mosaic
Artist not stated in the record · 1800–1825
Settee (one of a pair)
John Mayhew · 1769–71
Micro-mosaic
Artist not stated in the record · 1800–1825
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Adam Weisweiler · ca. 1787
Micro-mosaic
Artist not stated in the record · 1800–1825
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1776
Micro-mosaic
Artist not stated in the record · 1800–1825
Micro-mosaic
Artist not stated in the record · 1800–1825
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 8500 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2820700 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 05:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.