OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Mourning Virgin from a Crucifixion Group” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-08-28 21:48 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Mourning Virgin from a Crucifixion Group
Artist not stated in the record · 1450–75
Descent from the Cross
Stefano Di Vanni, Italian, born 1405-died 1483 · 14th century
Virgin
Artist not stated in the record · ca. 1250
Design for a Painting: The Entombment of Christ
Artist not stated in the record · 1700-1750
Mourning Virgin from a Crucifixion Group
Benedetto da Maiano · 15th century (?)
Elevation of a Sepulchral Monument
Giuseppe Barberi, Italian, 1746–1809 · 1820–1835
Mourning Virgin from a Crucifixion Group
Artist not stated in the record · 16th century
Mourning Over the Dead Christ
Fortunato Duranti, Italian, 1787 - 1863 · 1820-1850
The Mourning Virgin
Capodimonte Porcelain Manufactory · ca. 1744
Calvario
Caban group, active second quarter of 19th century-first half of 20th century · ca. 1875-1900
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Crucifixion with the Virgin and St. John
Unidentified · 1400-1500
The Crucifixion
Fra Angelico (Guido di Pietro) · ca. 1420–23
Study for Mary, Return from the Crucifixion
Henry Ossawa Tanner, born Pittsburgh, PA 1859-died Paris, France 1937 · 1933
The Crucifixion
Pietro Lorenzetti · 1340s
Icon
Ethiopian Orthodox · 18th century
The Mourning Virgin
Artist not stated in the record · early 18th century
The Crucifixion
Marten de Vos, Flemish, 1532-1603 · ca. 1590
The Crucifixion
Master of the Codex of Saint George · ca. 1330–35
Figures Mourning Over the Dead Christ
Fortunato Duranti, Italian, 1787 - 1863 · 1820-1850
Crucifixion
Artist not stated in the record · late 17th–early 18th century
Icon
Ethiopian Orthodox · Late 18th century
The Crucifixion with Saints and a Donor
Joos van Cleve · ca. 1520
Elevation of an Altar
Leonardo Scaglia, French, active Italy, 1640 – 1650 · ca. 1640–50
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 670 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2048374 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 21:48 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.