OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Musical Trophies” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-04 05:05 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Wall Decorated with Musical and Military Trophies and Three Windows
Anonymous, British, 18th century · 18th century
Musical Trophies
Artist not stated in the record · 1800–1825
Musical Trophy
Charles Monblond · 19th century
Musical Trophy Design
Pierre Ranson, French, 1736–1786 · 1778
Musical Trophy
Charles Monblond · 19th century
Musical Trophy Design
Pierre Ranson, French, 1736–1786 · 1778
Trophy of musical instruments detail
Artist not stated in the record · 18th century
Musical Trophy Design
Pierre Ranson, French, 1736–1786 · 1778
Trophy of musical instruments detail
Artist not stated in the record · 18th century
Musical Trophy Design
Pierre Ranson, French, 1736–1786 · 1778
Marcantonio Pasqualini (1614–1691) Crowned by Apollo
Andrea Sacchi · 1641
Musical Trophy Design
Pierre Ranson, French, 1736–1786 · 1778
Grand Pianoforte
Érard · ca. 1840
Musical Trophy Design
François Marie Isidore Queverdo, 1748 - 1797 · ca. 1767
Harpsichord converted to a piano
Jean Goermans · 1754
Grotesque Design
Artist not stated in the record · 1600–1625
Set of four three-light sconces (bras de lumière)
Artist not stated in the record · ca. 1787–88
Sidewall
Dufour et Leroy · 1828–38
Boiserie from the Hôtel de Cabris, Grasse
Artist not stated in the record · ca. 1774, with later additions
Fragment
Artist not stated in the record · 18th century
Snuffbox with Vegetal Pattern
Artist not stated in the record · ca. 1750
Title Page
Pierre Ranson, French, 1736–1786 · 1778
Two Designs for Trophies
Anonymous, Italian, Piedmontese, 18th century · 1700–1780
Seat cover
Artist not stated in the record · 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 64 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 25030 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 05:05 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.