OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Offering table, titulary of queen” — 64 records examined, 29 dropped by the rights gate.
Archives queried 2026-08-29 01:56 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Offering table, titulary of queen
Artist not stated in the record · ca. 1347–1330 BCE
Design for a Tapestry: Allegory of Africa
Gérard Audran, French, 1640–1703 · 1660-1680
Offering table, titulary of Aten
Artist not stated in the record · ca. 1347–1330 BCE
Apartments of Queen Elizabeth of Prussia, Charlottenburg Palace, Berlin
Elizabeth Pochhammer, German, active Berlin, 1864–1880 · 1864
Offering table, titulary of king
Artist not stated in the record · ca. 1347–1330 BCE
![Salome Dancing during the Banquet of Herod [above]; Salome Offering Saint John's Head to her Parents [below], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-9314_01-000001.jpg&w=3840&q=75)
Salome Dancing during the Banquet of Herod [above]; Salome Offering Saint John's Head to her Parents [below]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1595 or before
Offering table with hand, titulary of king
Artist not stated in the record · ca. 1347–1330 BCE
Table Design with Vases
Pierre Lepautre, French, 1652–1716 · late 17th–early 18th century
Offering table with hand, name and titulary of Akhenaten
Artist not stated in the record · ca. 1347–1330 BCE
Edward VII and Alexandra
Meade Brothers Studio, active c. 1840 - c. 1869 · c. 1863
Relief from the tomb of Queen Neferu: a scribe and a cupbearer approach the queen's offering table
Artist not stated in the record · ca. 2051–2030 B.C.
Achilles at the Court of Lycomedes
Artist not stated in the record · ca. 1650
Relief fragments from the tomb of Queen Neferu: male and female attendants
Artist not stated in the record · ca. 2051–2030 B.C.
Drawing
Felice Giani, Italian, 1758–1823 · About 1823
Game Box Inscribed for Taia and His Family
Artist not stated in the record · ca. 1396–1347 BCE
Sidewall and border
Artist not stated in the record · 1810–20
Mechanical table
Jean Henri Riesener · 1781
A genre scene
Carlo Marchionni, Italian, 1702–1786 · 1725–50
Princess Elizabeth (1596–1662), Later Queen of Bohemia
Robert Peake the Elder · ca. 1606
Elizabeth (Stuart), Queen of Bohemia
Simon van de Passe, c. 1595 - 6 May 1647 · 1619-1630
The Marriage Feast at Cana
Juan de Flandes · ca. 1497
Salon Particulier de la Reine au Palais de Buckingham. (The Queen's Sitting Room at Buckingham Palace)
James Roberts, British, active France, ca. 1800–1867 · August 1848
Reliefs from a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 28 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2864551 matched · 40 examined · 29 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.11 shown
These figures describe the pass run at 2026-08-29 01:56 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.