Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Offering to Cupid” — 64 records examined, 21 dropped by the rights gate.
Archives queried 2026-08-28 02:27 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Diana and Cupid
Pompeo Batoni · 1761

Offering to Cupid
Artist not stated in the record · ca. 1800

Venus and Cupid
Lucas Cranach the Elder · ca. 1525–27

Flore et l'Amour
François Boucher, French, 1703–1770 · ca. 1750

Venus and Cupid
Lorenzo Lotto · 1520s

The Four Seasons
B. M. Lebert, 1759–1836 · 1818–20

The Marriage of Cupid and Psyche
Andrea Schiavone (Andrea Meldola) · ca. 1540

Psyche Bringing Venus a Goblet of Water from the Fountain of Youth
Merry-Joseph Blondel, French, 1781–1853; active Paris, France 1802–1851 · ca. 1820

Relief showing procession of offering bearers
Artist not stated in the record · ca. 1961–1917 B.C.

Summer on Earth
Felice Giani, Italian, 1758–1823 · ca. 1800

Estate Figure
Artist not stated in the record · ca. 1981–1975 B.C.

Design for Toile de Jouy: La Marchande d'Amours (The Cupid Seller)
Hippolyte Le Bas, French, 1782–1867 · 1817–18

Stela of the Steward Mentuwoser
Artist not stated in the record · ca. 1944 B.C.

Cupid and Psyche: Four Octagons and Eight Drawings of Cupid
Felice Giani, Italian, 1758–1823 · 1810–15

Coffin of the Lady of the House, Iineferty
Artist not stated in the record · ca. 1290–1224 BCE

To My Valentine
Artist not stated in the record · ca. 1810

Stela of the Overseer of the Fortress Intef
Artist not stated in the record · ca. 2000–1988 B.C.

Cupid and Psyche
Jean-Baptiste Huet, French, 1745 – 1811 · 1810

A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500

Cupid and Psyche
Gorgerat Frères et Cie., Nantes, France, 1783–1815 · ca. 1790

Cupid and Psyche
Francesco Bartolozzi, Italian, active England, 1727–1815 · 1800

Cupid Resting, after a painting formerly attributed to Rembrandt
Rembrandt Harmensz van Rijn, Dutch, 1606–1669 · ca. 1660
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 6209 matched · 24 examined · 14 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.10 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 920030 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 02:27 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.