Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Ogee frame” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-31 20:00 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Ogee frame
Artist not stated in the record · ca. 1700–1720

Carpet fragment
Artist not stated in the record · 1860–1870

Ogee frame
Artist not stated in the record · ca. 1720–30 (?)

Textile
Artist not stated in the record · ca. 1500

Reverse ogee frame
Artist not stated in the record · ca. 1645

Fragment
Artist not stated in the record · early 19th century

Late 17th-century style Ogee frame
Artist not stated in the record · 1870–80

Fragment
Artist not stated in the record · 17th century

Early 18th-century style Ogee frame
Artist not stated in the record · 1850–65

Jar and lid
Artist not stated in the record · 19th century

Ogee frame
Artist not stated in the record · 1570–75

Textile
Artist not stated in the record · 19th century

Ogee frame
Artist not stated in the record · ca. 1720

Design for the Decoration of Mouldings
C. C., French, active 19th c. · 1811

Ogee frame
Artist not stated in the record · ca.1690

Design for a Tabernacle
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809

Ogee frame
Artist not stated in the record · early 18th century

Fragments
Artist not stated in the record · 15th century

Ogee frame
Artist not stated in the record · 1700–1710

Fragments
Artist not stated in the record · 17th century

Ogee frame
Artist not stated in the record · 1710–1730

Piano bench owned and used by Thelonious Monk
Artist not stated in the record · 1962

Ogee frame
Artist not stated in the record · 1700–1710

Birdcage
Artist not stated in the record · ca. 1765
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 80 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 15711 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 20:00 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.