OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “One of a set of projects for a title page and for the decoration of a vertical panel” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-08 14:13 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Panel
Artist not stated in the record · second half 8th century
One of a set of projects for a title page and for the decoration of a vertical panel
Artist not stated in the record · 1675-1699
Architectural woodwork and paneling
George A. Schastey & Co. · 1881–82
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Sheet-gold decoration for a sword scabbard
Artist not stated in the record · ca. 340–320 BCE
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Holy Family with an Angel
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) · ca. 1490
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Boiserie from the Hôtel Lauzun
Artist not stated in the record · ca. 1770, with one modern panel
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Annunciation Triptych (Merode Altarpiece)
Robert Campin · ca. 1427–32
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Feathered panel
Wari artist(s) · 650–1000 CE
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Panel with Byzantine Ivory Carving of the Crucifixion
Artist not stated in the record · 10th century (ivory); late 11th century (setting)
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Study for "A Sunday on La Grande Jatte"
Georges Seurat · 1884
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Morgan Casket
Artist not stated in the record · 11th–12th century
One of a set of projects for a title page and for the decoration of thirteen vertical panels
Francesco Bedeschini, Italian · 1675-1699
Saddle
Artist not stated in the record · ca. 1400–1420
One of a set of projects for a title page and for the decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 6252 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7485779 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-08 14:13 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.