OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Painted wooden panel of Tabakenkhonsu” — 64 records examined, 30 dropped by the rights gate.
Archives queried 2026-08-27 15:38 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Painted wooden panel of Tabakenkhonsu
Artist not stated in the record · ca. 680–670 BCE
Wall Elevation of the Bedroom of the Prince de Rohan, Hôtel de Soubise, Paris
Germain Boffrand, French, 1667–1754 · 1735–36
Panel
Charles Lepec · 1886/87
Lizard Wall Hanging
Ira Blount · 2000
Panel Carved in the "Beveled Style" with Remains of Later Polychromy
Artist not stated in the record · last quarter 10th century
Fokker T-2 Instrument Panel
Artist not stated in the record · 1923
Outer Coffin of Tabakenkhonsu
Artist not stated in the record · ca. 721–664 BCE
The Mystic Marriage of St. Catherine
Artist not stated in the record · late 16th–early 17th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters · second half 16th century (panels); ca. 1865–90 (frame)
Birdcage in the Form of the Rialto Bridge
Artist not stated in the record · late 19th–early 20th century
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David · ca. 1510
"AFD Hose One" Decorative Panel
unknown · ca 1890
Archangel Gabriel; The Virgin Annunciate
Gerard David · ca. 1510
Lectern used by Reverend Dr. Clay Evans at Fellowship Baptist Church
Artist not stated in the record · 1973
Shrine
Matthias Walbaum · 1598–1600
Washboard
Artist not stated in the record · late 19th century
Coffin of Khnumnakht
Artist not stated in the record · ca. 1850–1750 B.C.
Bedframe owned by the Ellis family
Unidentified · late 19th century
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455–60
Design for the Corridor to the Chinese Gallery, Royal Pavilion, Brighton
Frederick Crace, English, 1779–1859 · 1815–19
Reconstruction of Geometric Decoration
Artist not stated in the record · ca. 1386–1347 BCE
The Crucifixion with Saints and a Donor
Joos van Cleve · ca. 1520
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 193 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2866880 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-27 15:38 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.