OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Panel from a Box with Scenes from Romance Literature” — 64 records examined, 11 dropped by the rights gate.
Archives queried 2026-08-27 23:10 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Panel from a Box with Scenes from Romance Literature
Artist not stated in the record · 19th century
Fragment
Artist not stated in the record · 1820–30
Panel from a Box with Scenes from Romance Literature
Artist not stated in the record · 14th century
"Ha! I Like Not That"
John Rogers, born Salem, MA 1829-died New Canaan, CT 1904 · patented 1882
Box with Romance Scenes
Artist not stated in the record · ca. 1310–30
Design for a Chapel Wall
Giovanni Battista della Rovere, Italian, ca. 1561–ca. 1630 · late 16th century
Panel
Artist not stated in the record · second half 8th century
Scenic Panel from 'Scènes Siciliennes'
Zuber & Cie, Rixheim, Alsace, France, founded 1797 · 1840–60
Tapestry Room from Croome Court
Robert Adam · 1763–71
Panel
Artist not stated in the record · early 17th century
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) · ca. 1494–1500
Scenic
Artist not stated in the record · 1800–1825
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Panel with Grotesque Design and Scenes of the Labors of Hercules
Charles Normand, French, 1765 – 1840 · ca. 1800
Panel from a Rectangular Box
Artist not stated in the record · 10th–early 11th century
Design for a Chimney Wall with Lacquered Panels and Porcelain from "Nouvelles Chiminees Faittes en Plusieur en Droits de la Hollande et Autres Provinces du Dessin de D. Marot"
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · ca. 1700
Virgin and Child with a Donor Presented by Saint Jerome
Master of the Munich Bavarian Panels · ca. 1450
Band
Artist not stated in the record · 16th–18th century
Panel
Artist not stated in the record · second half 15th century
Interior Detail of the Teatro Vaccai, Telentino
Giuseppe Lucatelli, Italian, 1751 – 1828 · 1790
Panel with Hunting Scenes
Artist not stated in the record · ca. 1350
Panel
Artist not stated in the record · ca. 1600
Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus
Artist not stated in the record · ca. 1200–1210
Paul et Virginia
Artist not stated in the record · mid-19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1822 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2119514 matched · 40 examined · 11 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 23:10 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.