OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Panel of a Tent Lining” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-08-27 19:21 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Panel of a Tent Lining
Artist not stated in the record · 1700–1740
Embroidered panels
Artist not stated in the record · late 17th century
Floral Tent Panel
Artist not stated in the record · ca. 1635
Designs for Two Vertical Panels
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1738 and 1745
Panel from a Tent Lining (Qanat)
Artist not stated in the record · 17th century
Tent panel
Artist not stated in the record · 1650–1700
Virgin and Child with a Donor Presented by Saint Jerome
Master of the Munich Bavarian Panels · ca. 1450
Design for a Decorative Panel
François Marie Isidore Queverdo, 1748 - 1797 · 1788
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Design for a Decorative Panel
François Marie Isidore Queverdo, 1748 - 1797 · 1788
Boiserie from the Hôtel Lauzun
Artist not stated in the record · ca. 1770, with one modern panel
Textile
Artist not stated in the record · 17th century
Seasons and Elements (Fire) (set of four)
Charles Le Brun · ca. 1683
Design for a sedan chair
Artist not stated in the record · ca. 1775
Seasons and Elements (Summer) (set of four)
Charles Le Brun · ca. 1683
Textile
Artist not stated in the record · late 17th century
Seasons and Elements (Spring) (set of four)
Charles Le Brun · ca. 1683
A Canopied Ceiling with Aurora in Central Panel
Felice Giani, Italian, 1758–1823 · 1818–23
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Ceiling in Hadrian's Villa, near Tivoli
Luigi Rossini, Italian, 1790 – 1857 · 1820–40
Annunciation Triptych (Merode Altarpiece)
Robert Campin · ca. 1427–32
Sampler
Ann Winchester, English · 1752
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David · ca. 1510
Furniture for a Bedroom
Artist not stated in the record · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 935 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3866483 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 19:21 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.