OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Panel with the moon goddess and attendants” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-09-08 06:41 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Panel with the moon goddess and attendants
Artist not stated in the record · 14th–15th century
The Goddess Diana Leaning on an Outcropping
Francesco Brizzi, Italian, 1574 - 1623 · early 17th century
Goddess who bestows riches, probably Sri Lakshmi
Artist not stated in the record · 1st century BCE
Mantel Clock Design
Jean François Forty, active 1775 – 1790 · 1775–94
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Design for Doors
Jean Mariette, French, 1660–1742 · 1686–1716
Panel from a Portable Shrine: The Descent of the Buddha from Trayastrimsha Heaven
Artist not stated in the record · 7th–8th century
Design for Wall Decoration, Pompeiian Room, Palazzo Altieri, Rome
Felice Giani, Italian, 1758–1823 · 1792
Gaja Lakshmi, Goddess of Fortune
Artist not stated in the record · 6th century
Wall Barometer Design
Jean François Forty, active 1775 – 1790 · 1775–94
Coffin of Khnumnakht
Artist not stated in the record · ca. 1850–1750 B.C.
Interior Wall Elevation with a Bed
Pierre Ranson, French, 1736–1786 · 1779-84
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Title Page
Thobie Tourneur, Le Thuraine, French, active ca. 1630 – ca. 1690 · 1660
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Artist not stated in the record · 1500–1520
Title Page
Thobie Tourneur, Le Thuraine, French, active ca. 1630 – ca. 1690 · 1660
Sardonyx cameo of a goddess flanked by attendants
Artist not stated in the record · 1st century BCE–1st century CE
Design for Bedroom Furniture
Artist not stated in the record · ca. 1810
Plaque with Goddess and Attendant
Artist not stated in the record · ca. 100 BCE
Interior Wall Elevation with a Chimneypiece
Pierre Ranson, French, 1736–1786 · 1779-84
Madonna and Child Enthroned with Two Angels
Fra Filippo Lippi · ca. 1440
Interior Wall Elevation with a Bath
Pierre Ranson, French, 1736–1786 · 1779-84
The Temple of Dendur
Artist not stated in the record · completed by 10 CE
Design for a Double Door with Overdoor
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 686 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1946670 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-08 06:41 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.