OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Panels” — 64 records examined, 22 dropped by the rights gate.
Archives queried 2026-09-02 02:24 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode (commode à vantaux) (part of a set)
Adam Weisweiler · ca. 1790
Beige A-line dress with jacket
Jean Louis, French, 1907 - 1997 · 1960s
Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Alternative Designs for a Metal Gate
Artist not stated in the record · ca. 1820
Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Women Riding Sea Centaurs, Villa Aldini, Montmorency, France
Felice Giani, Italian, 1758–1823 · 1813
Longcase clock with calendrical, lunar, and tidal indications, also known as the Graves Tompion
Thomas Tompion · ca. 1677–80
Gray dress with draped shawl collar
Unidentified · 1940s
Pair of side chairs
Thomas How · ca. 1724–36
Corona panel designed for NMAAHC (Type E: 85% opacity)
Freelon Adjaye Bond/SmithGroup, American, founded 2008 · ca. 2013
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Boxing gloves worn by Melvin Van Peebles
Champion, American, founded 1919 · Mid to late 20th century
Choir stall panels
Johann Justus Schacht · ca. 1723–26, figures 1787
Corona panel designed for NMAAHC (Type F: 90% opacity)
Freelon Adjaye Bond/SmithGroup, American, founded 2008 · ca. 2013
Commode
Claude-Charles Saunier · ca. 1780–90
Corona panel designed for NMAAHC (Type C: 75% opacity)
Freelon Adjaye Bond/SmithGroup, American, founded 2008 · ca. 2013
Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508–50)
Hans Wagner the Elder · dated 1539
Scenic
Artist not stated in the record · 1800–1825
Cheval fire screen
Thomas Moore · ca. 1755–60
Cream silk dress with metallic embroidery and front overskirt
Artist not stated in the record · 1980s
Two panels from the 'Verdures du Vatican' series
Jean Démosthène Dugourc · ca. 1799
Wall Elevation with a Mirror
Étienne Charpentier, French, 1707 – after 1792 · mid- 18th century
Flowers and Grasses of the Four Seasons
Kano Mitsunobu · late 16th century
Salesman's sample book
Artist not stated in the record · 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 8123 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7900 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 02:24 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.