Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Part of a skirt” — 64 records examined, 31 dropped by the rights gate.
Archives queried 2026-09-07 05:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder · ca. 1555

Layla and Majnun
Artist not stated in the record · 16th–17th century

Seated Buddha
Artist not stated in the record · 1st to mid-2nd century

Panel
Artist not stated in the record · 1750–99

Part of a skirt
Artist not stated in the record · third quarter 19th century

Fragments
Unknown · 1836–40

Vaikuntha Vishnu
Artist not stated in the record · last quarter of the 8th century

Fragments of a dress
Artist not stated in the record · 18th century

Torso of a Bodhisattva
Sahri-Bahlol Workshop · ca. 5th century

Skirt panel
Artist not stated in the record · early 19th century

Brahma
Artist not stated in the record · first quarter of the 10th century

Cream silk dress with metallic embroidery and front overskirt
Artist not stated in the record · 1980s

One from a Pair of Ear Ornaments (Prakaravapra Kundala)
Artist not stated in the record · ca. 1st century BCE–1st century CE
Experimental Compact Fluorescent Lamp
Hollister, Donald · 1979

Bust of Hevajra
Artist not stated in the record · late 12th–early 13th century

Skirt
Artist not stated in the record · 19th century

Short Sword (Yatagan) from the Court of Süleyman the Magnificent (reigned 1520–66)
Ahmed Tekelü · ca. 1525–30

Costume Design: Valor and Music for a Ballet
Artist not stated in the record · ca. 1720

A Hypocrite and a Slanderer
Franz Xaver Messerschmidt · ca. 1770–83

Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli · 1528

Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 31370 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3857158 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-09-07 05:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.