OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pasquale Canna, Italian, active 18th century” — 64 records examined, 6 dropped by the rights gate.
Archives queried 2026-09-05 02:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Oboe
Castel · ca. 1750
Stage Design: Palace Interior
Pasquale Canna, Italian, active 18th century · early 18th century
The Last Supper
Ugolino da Siena (Ugolino di Nerio) · ca. 1325
Stage Design, Gothic Castle
Pasquale Canna, Italian, active 18th century · early 19th century
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Design for a Stage: A Cemetery
Pasquale Canna, Italian, active 18th century · late 18th century
The Adoration of the Shepherds
Bartolo di Fredi · 1374
Stage Design of a Prison Interior
Michelangelo Fasano, Italian, active 18th century · mid-18th century
Saints Bartholomew and Simon
Master of Saint Francis · ca. 1272
Study for a Mountain Locality
Pompeo Savini, Italian, active 18th century · late 18th century
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona · 1434
Stage Design, Gothic Ruins
Artist not stated in the record · late 18th century
The Crucifixion
Master of the Codex of Saint George · ca. 1330–35
Ornamental Medallion Designs
P. J. Bertren, active 18th century · 1768
Portrait of a Young Man
Hans Memling · ca. 1472–75
Ornamental Medallion Designs
P. J. Bertren, active 18th century · 1768
Saint Anthony of Padua
Maso di Banco · ca. 1340
Ornamental Medallion Designs
P. J. Bertren, active 18th century · 1768
The Jabach Family
Charles Le Brun · ca. 1660
Ornamental Medallion Designs
P. J. Bertren, active 18th century · 1768
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
Vignette
Artist not stated in the record · ca. 1710
Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli · 1528
Ornamental Medallion Designs
P. J. Bertren, active 18th century · 1768
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 697 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 63681 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 02:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.