OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pendant Medallion with the Last Judgment” — 64 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-28 10:26 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Pendant Medallion with the Last Judgment
Artist not stated in the record · ca. 1420
Tea Urn in the Shape of Atlas Supporting the World
Thomas Heming, English, 1723 – 1801 · 1777
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Design for a Pendant
George E Germer, 1868 – 1936 · 1910–20
The Last Judgment
Joos van Cleve · ca. 1525–30
Frieze
Gledhill Wall Paper Co., New York, New York, founded 1900 · 1905–1915
Blessing Bishop (Saint Nicholas of Bari)
Artist not stated in the record · ca. 1350–75
Frieze
Maxwell & Co., S.A., Chicago, Illinois, USA · 1905–1915
Medallion with a Portrait of Gennadios
Artist not stated in the record · 250–300
Border
Artist not stated in the record · early 19th century
Crucifix with Saint Anthony of Padua
Kongo artist · 16th–18th century (pendant figure); 19th century (cross)
Border
Artist not stated in the record · early 19th century
Diptych with the Coronation of the Virgin and the Last Judgment
Artist not stated in the record · ca. 1260–70
Sidewall
York Card & Paper Co., 1891 · 1900
Wall painting on black ground: Aedicula with small landscape, from the imperial villa at Boscotrecase
Artist not stated in the record · last decade of the 1st century BCE
Sleeve ruffle
Artist not stated in the record · early 19th century
The Fortune-Teller
Georges de La Tour · probably 1630s
Sleeve ruffle
Artist not stated in the record · early 19th century
Medallion with the Head of a Saint
Artist not stated in the record · 14th–15th century
Sidewall
M.H. Birge & Sons Co., 1834 · 1890–1920
The Anhalt Medallion Carpet
Artist not stated in the record · probably first half 16th century
Frieze
York Card & Paper Co., 1891 · 1905–1915
Frog Pendant
Artist not stated in the record · 550–850 CE
Frieze
Xavier Mader · 1825–35
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 434 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7173222 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 10:26 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.