OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Pendant with the Coronation of the Virgin” — 64 records examined, 35 dropped by the rights gate.
Archives queried 2026-09-01 07:52 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Pendant with the Coronation of the Virgin
Artist not stated in the record · 1450–1500
Coronation of the Virgin
Master of the Die, Italian or German, 1530 - 1560 · 1530–1560
Virgin
Artist not stated in the record · ca. 1250
![Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-10710_3.jpg&w=3840&q=75)
Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580–1605
Virgin
Joan Avesta · ca. 1370–90
The Coronation of the Virgin
Artist not stated in the record · ca. 1640
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455
Recto: Coronation of the Virgin
Belisario Corenzio, Italian, active 1590–1646 · ca. 1630
Pendant with the Coronation of the Virgin
Artist not stated in the record · early 15th century
Icon
Ethiopian Orthodox · 18th century
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Icon
Ethiopian Orthodox · Mid- to late 15th century
The Coronation of the Virgin
Niccolò di Buonaccorso · ca. 1380
Icon
Ethiopian Orthodox · Late18th century
The Coronation of the Virgin
Annibale Carracci · after 1595
The Assumption of the Virgin
Bernardo Daddi · 1337–38
The Death of the Virgin (The Dormition)
Tilman Heysacker · late 15th century
Pendant
Artist not stated in the record · 17th century
Bird pendant
Central Region artist(s) · 300–700 CE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 4315 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3022945 matched · 40 examined · 33 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.7 shown
These figures describe the pass run at 2026-09-01 07:52 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.