OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Photograph of Amelia Earhart in London, England” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-09-10 05:59 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Commode from Croome Court, Worcestershire
Peter Langlois · 1764
Photograph of Amelia Earhart in London, England
Artist not stated in the record · May 1932
Dining room from Kirtlington Park
John Sanderson · 1748
Photograph of Amelia Earhart and others in Southampton, England
Artist not stated in the record · 1928
![[Group of 266 Stereograph Views of the 1855 and/or 1867 Universal Expositions in Paris, France], by M. Leon](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2F1982-1182-2499_recto.jpg&w=3840&q=75)
[Group of 266 Stereograph Views of the 1855 and/or 1867 Universal Expositions in Paris, France]
M. Leon · 1850s–1910s
Photograph of Amelia Earhart looking out from back door of 'Friendship'
Artist not stated in the record · 1928
Hooded wall clock with calendar
Ahasuerus I Fromanteel · ca. 1660–65
Photograph Amelia Earhart, Wilmer Stultz and Lou Gordon in Halifax, Nova Scotia
Artist not stated in the record · 1928
Dining room from Lansdowne House
Robert Adam · 1766–69
Photograph of crowd greeting Amelia Earhart in Southampton, England
Artist not stated in the record · 1928
Paneling from a house on the Hall Quay, Great Yarmouth, Norfolk
Artist not stated in the record · ca. 1600
News clippings surrounding Amelia Earhart's transatlantic flight to Europe
Artist not stated in the record · May 1932
Settee
Sir Lawrence Alma-Tadema · ca. 1885
Photograph of 'Friendship' leaving Burrey Port for Southampton, England
Artist not stated in the record · 1928
Chandelier
John Gumley · ca. 1710–15
Amelia Earhart
Underwood & Underwood, active 1880 - c. 1940s · 1928
Tear wine glass
Harry Powell · ca. 1899
Photograph of Amelia Earhart in flight gear and with flowers
Artist not stated in the record · 1928
The Lake of Zug
Joseph Mallord William Turner · 1843
Photograph of Cross of Honor presented to Amelia Earhart
Artist not stated in the record · June 20, 1932
The Investiture of Bishop Harold as Duke of Franconia
Giovanni Battista Tiepolo · ca. 1751–52
Photograph of New York City parade honoring Amelia Earhart
Artist not stated in the record · June 20, 1932
The Temple of Dendur
Artist not stated in the record · completed by 10 CE
Photograph of Amelia Earhart in Trepassey Bay, Newfoundland
Artist not stated in the record · 1928
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 450 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7484867 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-10 05:59 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.