OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Piece from a Kosode with Cherry Blossoms and Poem Slips” — 64 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-28 22:17 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Piece from a Kosode with Cherry Blossoms and Poem Slips
Artist not stated in the record · late 17th–early 18th century
Fragment
Artist not stated in the record · 18th century
Robe (Kosode) with Cherry Blossoms and Cypress Fence
Artist not stated in the record · second half of the 17th century
April, from series of "Social Customs..."
Suzuki Harunobu, Japanese, 1724 – 1770 · ca. 1770
Ewer (Suichū) with Cherry Blossoms and Picnic Curtain
Artist not stated in the record · early 17th century
Teapot
Rookwood Pottery, American, 1880 - 1967 · 1882
Dish with Cherry Blossoms and Textile Curtains
Artist not stated in the record · ca. 1670–90
Vase
Rookwood Pottery, American, 1880 - 1967 · 1906
Pierced Jug with Harpies and Sphinxes
Artist not stated in the record · dated 612 AH/1215–16 CE
Cherry Blossoms
Artist not stated in the record · late 18th–early 19th century
Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms
Hon'ami Kōetsu · 1606
Cherry Blossom Viewing
Ando Hiroshige, Japanese, 1797–1858 · 1797-1858
Piece from a Kosode with Cherry Blossoms
Artist not stated in the record
Viewing of Cherry Blossoms
Ando Hiroshige, Japanese, 1797–1858 · 1797-1858
Piece from a Kosode with Fans and Cherry Blossoms
Artist not stated in the record · late 17th–first half of the 18th century
Cherry Blossom Viewing
Ando Hiroshige, Japanese, 1797–1858 · 1797-1858
Poem by Ki no Tsurayuki (ca. 872–945) on Decorated Paper with Cherry Blossoms
Ogata Sōken · mid- to late 17th century
Ichigaya Hachiman from the Series 100 Views of Edo
Ando Hiroshige, Japanese, 1797–1858 · 1858
Piece from a Summer Kosode (katabira) with Cherry Blossoms
Artist not stated in the record
Designs for Three Brooches
Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794 · ca. 1770
Piece from a Kosode with Pine Boughs and Cherry Blossoms
Artist not stated in the record
Designs for a Necklace and Three Chains
Artist not stated in the record · late 18th century
Large Bowl with Cherry Blossoms and Maple Leaves
Takahashi Dōhachi III · first half of the 19th century
Fukagawa Hachiman yanabiraki from the Series One Hundred Famous Views of Edo
Ando Hiroshige, Japanese, 1797–1858 · 1797-1858
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 88 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2937120 matched · 40 examined · 13 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 22:17 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.