OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pier Table” — 64 records examined, 17 dropped by the rights gate.
Archives queried 2026-09-01 01:26 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Pier Table
Duncan Phyfe · 1835–40
Design for a Pier Table
Artist not stated in the record · 1750–1790
Pier Table
Joseph Meeks & Sons · 1829–35
Apartments of Queen Elizabeth of Prussia, Charlottenburg Palace, Berlin
Elizabeth Pochhammer, German, active Berlin, 1864–1880 · 1864
Pier table
Charles-Honoré Lannuier · 1815–19
Pier table
Artist not stated in the record · c. 1815-20
Pier table
Joseph B. Barry and Son · 1810–15
Pier tables
William Moore, Irish, d. 1814 · ca. 1785
Pier Table
Charles-Honoré Lannuier · 1815–19
Design for a Pier Glass with Alternative Suggestions
Artist not stated in the record · 1775–1800
Pier table
Charles-Honoré Lannuier · 1815–19
Designs for Pier Glasses of the Great Room and Side Board Table in Dining Room, plate VIII, in Works of Architecture of Robert and James Adam, Vol. I, 1st Edition
Robert Adam, British, 1728–1792 · 1778
Card table
Charles-Honoré Lannuier · 1817
Plate 3, Developement d'un Trumeau de glace fait pour le Portugal (Design for a Pier Glass with Varation for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier)
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1740
![The Farnese Table, by Jacopo [Giacomo] Barozzi da Vignola](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fes%2Fweb-large%2FDP-42913-001.jpg&w=3840&q=75)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola · ca. 1565–73
Plate 2, Projet d'un Trumeau de glace pour un grand cabinet fait pour le Portugal (Project for a Pier Glass for a Large Cabinet Made for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier)
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1740–48
Pier Table
Artist not stated in the record · 1830–50
The Music Room of Fanny Hensel (née Mendelssohn)
Julius Eduard Wilhelm Helfft, German, 1818 – 1894 · 1849
Pier Table
Artist not stated in the record · 1740–70
Bathroom and Boudoir Interior
Jean-Claude Rumeau, French, active 1806 - 1823 · 1807
Pier Table
Duncan Phyfe · 1815–16
A Room in the Reuss Palace, Dresden
Artist not stated in the record · 1835–37
Pier table
Artist not stated in the record · 1800–1810
Vue des trumeaux du même Cabinet; Vue des trumeaux du même Cabinet, 3rd Plate
Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 · 1742–48
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 72 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 12757 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 01:26 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.