OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pieter Bout” — 62 records examined, 22 dropped by the rights gate.
Archives queried 2026-08-28 22:31 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Landscape with Herdsmen, Sheep and Cows Around a Fountain
Pieter Bout · n.d.
Peep-show, Vue de la Ville de Richelieu en Poitou construitte par le Grand Cardinal Duc de Richelieu, au Bout des Parteres de Sougid et Superbe Chateau de Richelieu de la Conduitte, No. 147
Artist not stated in the record · ca. 1750
Guardroom Scene
Pieter Bout · ca. 1700
Elévations et Profils de différens Lambris d’appuy, avec leurs bouts de Chambranle
F. Cornille, active 1740 - 1756 · 1751–55
Virgin and Child
Dieric Bouts · 1475–99
Portrait of Pieter Brughel the Younger
Marco Sadeler · 1606
Virgin and Child
Dieric Bouts · 1475–99
Plan et Elévation d’un Choeur dont le bout est ceintré en tour creuse avec une Porte de Sacristie à côté
F. Cornille, active 1740 - 1756 · 1751–55
Saint Paul with a Donor; Christ Appearing to His Mother
Master of the Saint Ursula Legend · ca. 1485
Veüe du bout de la grande Allée des Thuilleries
Nicolas Langlois, French, 1640 - 1703 · late 17th century
Portrait of a Man
Hugo van der Goes · ca. 1475
Décoration interieure du pavillon royal au bout du canal de Commercy
Emmanuel Héré de Corny, French, 1705–1763 · 1753
The Adoration of the Magi
Quinten Massys · 1526
Plan des Entressoles du Pavillon Royal au bout du Canal de Commercy.
Emmanuel Héré de Corny, French, 1705–1763 · 1753
Virgin and Child with Four Angels
Gerard David · ca. 1510–15
Elévations et Profils de différens Lambris d'appui avec leurs bouts de Chambranle
Juste-François Boucher, French, 1736 – 1782 · 1774
The Annunciation
Hans Memling · ca. 1465–70
Veuë et Perspective d’une grotte au bout de l’allée du grand jet d’eau a St. Clou
Israel Silvestre, French, 1621 – 1691 · 1680–1695
The Martyrdom of Saint John the Baptist
Bernard van Orley · ca. 1514–15
Plan et Coupe d'un Sallon au bout d'une Gallerie
Juste-François Boucher, French, 1736 – 1782 · 1774
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley · ca. 1514–15
Vue en perspective de la Cascade et du Pavillon au bout du Canal des Jardins de Lunéville.
Emmanuel Héré de Corny, French, 1705–1763 · 1753
Portrait of a Woman
Quinten Massys · ca. 1520
Plan et Coupe d'un Sallon au bout d'une Gallerie
Juste-François Boucher, French, 1736 – 1782 · 1774
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 22 matched · 22 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1651 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 22:31 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.