OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pietro Santi Bartoli” — 64 records examined, 0 dropped by the rights gate.

Archives queried 2026-08-29 07:11 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Hylas and the Water Nymphs, by Pietro Santi Bartoli

Hylas and the Water Nymphs

Pietro Santi Bartoli · ca. 1635–1700

Public domainThe Met
Grindelia patagonica Adr. Bartoli & Tortosa

Grindelia patagonica Adr. Bartoli & Tortosa

Artist not stated in the record · Transcribed d/m/y: 15/4/94

CC0 (public-domain equivalent)Smithsonian
Admiranda romananum antiquitatum ac veteris sculpturae vestigia, by Pietro Santi Bartoli

Admiranda romananum antiquitatum ac veteris sculpturae vestigia

Pietro Santi Bartoli · 1693

Public domainThe Met
Grindelia anethifolia (Phil.) Adr. Bartoli & Tortosa

Grindelia anethifolia (Phil.) Adr. Bartoli & Tortosa

Artist not stated in the record · Transcribed d/m/y: 24/2/98

CC0 (public-domain equivalent)Smithsonian
L'Imperio Vendicato, by Pietro Santi Bartoli

L'Imperio Vendicato

Pietro Santi Bartoli · 1630–1700

Public domainThe Met
Grindelia prunelloides (Poepp. ex Less.) Adr. Bartoli & Tortosa

Grindelia prunelloides (Poepp. ex Less.) Adr. Bartoli & Tortosa

Artist not stated in the record · Transcribed d/m/y: 25/2/98

CC0 (public-domain equivalent)Smithsonian
Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right, by Pietro Santi Bartoli

Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right

Pietro Santi Bartoli · 1650–90

Public domainThe Met
Grindelia covasii Adr. Bartoli & Tortosa

Grindelia covasii Adr. Bartoli & Tortosa

Artist not stated in the record · 29 Sep 1990

CC0 (public-domain equivalent)Smithsonian
Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries, by Pietro Santi Bartoli

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli · 1650–70

Public domainThe Met
Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa

Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa

Artist not stated in the record

CC0 (public-domain equivalent)Smithsonian
Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia mendocina Adr. Bartoli & Tortosa

Grindelia mendocina Adr. Bartoli & Tortosa

Artist not stated in the record · 24 Feb 1953

CC0 (public-domain equivalent)Smithsonian
Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia prostrata Adr. Bartoli & Tortosa

Grindelia prostrata Adr. Bartoli & Tortosa

Artist not stated in the record · 15 Feb 1927

CC0 (public-domain equivalent)Smithsonian
Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia prostrata Adr. Bartoli & Tortosa

Grindelia prostrata Adr. Bartoli & Tortosa

Artist not stated in the record · 1 Feb 1925

CC0 (public-domain equivalent)Smithsonian
Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa

Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa

Artist not stated in the record · Jan 1943

CC0 (public-domain equivalent)Smithsonian
Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Tagetes mirandae Schiavinato & Adr. Bartoli

Tagetes mirandae Schiavinato & Adr. Bartoli

Artist not stated in the record · 6 Mar 2020

CC0 (public-domain equivalent)Smithsonian
Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia coronensis Adr. Bartoli & Tortosa

Grindelia coronensis Adr. Bartoli & Tortosa

Artist not stated in the record · 6 Jan 2003

CC0 (public-domain equivalent)Smithsonian
Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia, by Pietro Santi Bartoli

Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia

Pietro Santi Bartoli · 1650–77

Public domainThe Met
Grindelia patagonica Adr. Bartoli & Tortosa

Grindelia patagonica Adr. Bartoli & Tortosa

Artist not stated in the record · 16 Dec 1993

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 96 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 1145 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-08-29 07:11 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.