Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pietro Santi Bartoli” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-29 07:11 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Hylas and the Water Nymphs
Pietro Santi Bartoli · ca. 1635–1700
Grindelia patagonica Adr. Bartoli & Tortosa
Artist not stated in the record · Transcribed d/m/y: 15/4/94

Admiranda romananum antiquitatum ac veteris sculpturae vestigia
Pietro Santi Bartoli · 1693
Grindelia anethifolia (Phil.) Adr. Bartoli & Tortosa
Artist not stated in the record · Transcribed d/m/y: 24/2/98

L'Imperio Vendicato
Pietro Santi Bartoli · 1630–1700
Grindelia prunelloides (Poepp. ex Less.) Adr. Bartoli & Tortosa
Artist not stated in the record · Transcribed d/m/y: 25/2/98

Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right
Pietro Santi Bartoli · 1650–90
Grindelia covasii Adr. Bartoli & Tortosa
Artist not stated in the record · 29 Sep 1990

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries
Pietro Santi Bartoli · 1650–70

Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa
Artist not stated in the record

Plate 12: The Resurrection, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia mendocina Adr. Bartoli & Tortosa
Artist not stated in the record · 24 Feb 1953

Plate 6: Jacob Wrestling with the Angel, from Genesis 32, after a lost fresco in the basamento of Bay 6 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia prostrata Adr. Bartoli & Tortosa
Artist not stated in the record · 15 Feb 1927

Plate 1: God Blessing on the Seventh Day, from Genesis Chapter 2, after a lost fresco in the basamento of Bay 1 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia prostrata Adr. Bartoli & Tortosa
Artist not stated in the record · 1 Feb 1925

Plate 8: Israelites Collecting Manna, from Exodus 15 and 16, after a lost fresco in the basamento of Bay 8 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia pulchella var. discoidea (Hook. & Arn.) Adr. Bartoli & Tortosa
Artist not stated in the record · Jan 1943

Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Tagetes mirandae Schiavinato & Adr. Bartoli
Artist not stated in the record · 6 Mar 2020

Plate 4: The Sacrifice of Abraham, from Genesis Chapter 22, after a lost fresco in the basamento of Bay 4 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia coronensis Adr. Bartoli & Tortosa
Artist not stated in the record · 6 Jan 2003

Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia
Pietro Santi Bartoli · 1650–77

Grindelia patagonica Adr. Bartoli & Tortosa
Artist not stated in the record · 16 Dec 1993
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 96 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1145 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 07:11 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.