OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Pietro de Angelis” — 64 records examined, 33 dropped by the rights gate.
Archives queried 2026-08-28 07:12 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Design for a Cupola with Old and New Testament Figures
Pietro de Angelis · 1720–1804
Piper anisum (Spreng.) Angely
Artist not stated in the record · May 1889
The Temptation
Pietro Longhi (Pietro Falca) · 1746
Osmunda regalis var. palustris (Schrad.) C. Chr. ex Angely
Artist not stated in the record · 5 May 1964
Saint Anthony the Abbot in the Wilderness
Sano di Pietro (Ansano di Pietro di Mencio) · ca. 1440
Osmunda regalis var. palustris (Schrad.) C. Chr. ex Angely
Artist not stated in the record · 10 Oct 2006
The Crucifixion
Pietro Lorenzetti · 1340s
Piper anisum (Spreng.) Angely
Artist not stated in the record · Oct 1946
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi) · 1610
Osmunda regalis var. palustris (Schrad.) C. Chr. ex Angely
Artist not stated in the record · 10 Apr 1967
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes) · 1787–88
Osmunda regalis var. palustris (Schrad.) C. Chr. ex Angely
Artist not stated in the record
Fortified Wall at Tivoli
Simon Denis · ca. 1786–1806
Osmunda regalis var. palustris (Schrad.) C. Chr. ex Angely
Artist not stated in the record · Transcribed d/m/y: /11/77
Madonna and Child with Saints Philip and Agnes
Donato de' Bardi · ca. 1425–30
Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas
Master G.Z. (possibly Michele dai Carri, Italian, Ferrara, active by 1405–died 1441 Ferrara) · ca. 1420–30
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
The Crucifixion
Fra Angelico (Guido di Pietro) · ca. 1420–23
The Meeting
Pietro Longhi (Pietro Falca) · 1746
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 874 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 614746 matched · 40 examined · 33 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.7 shown
These figures describe the pass run at 2026-08-28 07:12 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.