Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Pinback button for the Milwaukee 14” — 64 records examined, 15 dropped by the rights gate.
Archives queried 2026-09-04 20:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Smokers
Adriaen Brouwer · ca. 1636

Pinback button for the Milwaukee 14
Artist not stated in the record · 1968

Button or Bead
Artist not stated in the record · 8th–10th century

Pinback button for a national holiday for Martin Luther King, Jr.
Artist not stated in the record · mid-20th century

ex "Kurtz" Violin
Andrea Amati · ca. 1560

Pinback button featuring Marshall Major Taylor
Whitehead & Hoag Company, American, 1892 - 1965 · ca. 1899

Viola
Benjamin Banks · 1791

Pinback button reading "Students for Mary Ellen"
Artist not stated in the record · 2019

Congressional Presentation Sword with Scabbard of Colonel Marinus Willett (1740–1830)
C. Liger · hallmarked for 1785–86

Pinback button reading "Blacks for McGovern"
Artist not stated in the record · ca. 1972

Settee
Sir Lawrence Alma-Tadema · ca. 1885

Pinback button advocating for a Civilian Review Board
Artist not stated in the record · ca. 1970

Saint Thecla Praying for the Plague-Stricken
Giovanni Battista Tiepolo · 1758–59

Pinback button for the Robert Kennedy campaign
Artist not stated in the record · 1968

The Horse Fair
Rosa Bonheur · 1852–55

Pinback button advocating for Angela Davis
Artist not stated in the record · 1971-1972

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer
Jacopo Tintoretto (Jacopo Robusti) · probably 1577

Pinback button for Donald M. Payne's U.S. Congress campaign
Artist not stated in the record · ca. 1989

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Auguste Renoir · 1878

Pinback button for Frank Barbaro's Mayoral campaign
Artist not stated in the record · 1981

Springtime
Pierre-Auguste Cot · 1873

Pinback button for the film She's Gotta Have It
Artist not stated in the record · ca. 1986

Tumbler
Artist not stated in the record · 1855–75

Pinback button for the Bed-Stuy neighborhood
Artist not stated in the record · ca. 1964
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 334 matched · 24 examined · 5 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1547621 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 20:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.