OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Plaque, two cartouches with names of Amenemhat II” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-04 20:07 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Plaque, two cartouches with names of Amenemhat II
Artist not stated in the record · ca. 1919–1885 B.C.
L’ASTRONOMIE / LA GÉOGRAPHIE
Artist not stated in the record · mid- 18th–late 18th century
Cartouche-shaped plaque with the names of Apries
Artist not stated in the record · 589–570 BCE
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Cylinder seal with name of Amenemhat II and that of princess Khenemetneferhedjet
Artist not stated in the record · ca. 1919–1840 B.C.
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Scarab of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Title Page
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II
Artist not stated in the record · ca. 1887–1878 B.C.
Designs for Buffets
Pierre Cottart, French, ca. 1630 – 1701 · ca.1680–1710
Relief block with the names and titles of Amenemhat I and Senwosret I
Artist not stated in the record · ca. 1962–1952 B.C.
Design for Cartouche with Crown, Two Putti Serving Bacchus, and Two Lions from "Cartouches Nouvellement Inventez"
Jean-Bernard Turreau, French, 1672 - 1731 · 18th century
Relief block with the names of Amenemhat I and Senwosret I
Artist not stated in the record · ca. 1962–1952 B.C.
Designs for Cartouches
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Longcase astronomical regulator
Ferdinand Berthoud · ca. 1768–70
Designs for Cartouches
Carlo Marchionni, Italian, 1702–1786 · mid- 18th century
Plaque Inscribed with the Cartouche of Amenemhat I
Artist not stated in the record · ca. 1981–1952 B.C.
Fireplace (Chimney Piece and Mantel) Design
François II de Poilly, French, 1666 – 1741 · 1712
Plaque in the Form of a Cartouche; two ankhs; ankh, two nefers
Artist not stated in the record · ca. 1491–1473 BCE
Fireplace (Chimney Piece and Mantel) Design
François II de Poilly, French, 1666 – 1741 · 1712
Doorjamb from a Temple of Ramesses II
Artist not stated in the record · ca. 1290–1224 BCE
Wall Elevation with Statues in Niches
Jean Le Pautre, French, 1618–1682 · 1656–57
Bead with Royal Name
Artist not stated in the record · ca. 1166–721 BCE
Designs for Cartouches
Gilles-Marie Oppenord, French, 1672–1742 · ca. 1900
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 119 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7474473 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 20:07 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.