Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Plaque fragment: kneeling lion-headed figure” — 29 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-09 12:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Plaque fragment: kneeling lion-headed figure
Artist not stated in the record · ca. 18th century BCE

Daniel in the Lion's Den
Artist not stated in the record · ca. 1630–40

Plaque fragment: kneeling lion-headed figure
Artist not stated in the record · ca. 18th century BCE

Fragment
Artist not stated in the record · 17th century

Tea Urn in the Shape of Atlas Supporting the World
Thomas Heming, English, 1723 – 1801 · 1777

Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy
Carlo Spagna, Italian, ca. 1641 - 1680 · 1670–72

Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century

Four Continents
Artist not stated in the record · ca. 1770

Standing Figure with Feathered Headdress
Artist not stated in the record · 12th–early 13th century

Four Continents
Artist not stated in the record · ca. 1770

The Penitence of Saint Jerome
Joachim Patinir · ca. 1515

Four Continents
Artist not stated in the record · ca. 1770

Head from a Figure with a Beaded Headdress
Artist not stated in the record · 12th–early 13th century

Four Continents
Artist not stated in the record · ca. 1770

Head of a Central Asian Figure in a Pointed Cap
Artist not stated in the record · 12th–early 13th century

Three Graces
Zuber & Cie, Rixheim, Alsace, France, founded 1797 · 1803

Plaque fragment
Artist not stated in the record · ca. 9th–8th century BCE

Fragments
Artist not stated in the record · 12th–13th century

Head of a Central Asian Figure
Artist not stated in the record · 12th–13th century
![Piedestal[s] pour groupe, by Juste-François Boucher, French, 1736 – 1782](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-0C2E97FB265C2-000001.jpg&w=3840&q=75)
Piedestal[s] pour groupe
Juste-François Boucher, French, 1736 – 1782 · ca. 1775

Panel fragment
Artist not stated in the record · ca. 8th–7th century BCE

Kabuki players as the Eight Sennin (Triptych)
Kininaga, d. ca. 1820 · 1810–20
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 15 matched · 15 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 14 matched · 14 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-09 12:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.