OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Plaque inlaid with Cartouche of Seti II” — 64 records examined, 5 dropped by the rights gate.
Archives queried 2026-09-04 18:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Plaque inlaid with Cartouche of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Plaque
Artist not stated in the record · 17th century
Amuletic plaque of Paser, the Vizier of Seti I and Ramesses II
Paser · ca. 1300–1200 BCE
Pleated fan and case
Artist not stated in the record · late 19th century
Scarab of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Chasse with Saints and Angels
Artist not stated in the record · 16th century
Inlay Representing the Cartouche of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Snuff Box
Artist not stated in the record · 1800-1810
Wall Tile with the Cartouche of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Pleated fan and case
Artist not stated in the record · ca. 1740
Fragment of a votive tile with cartouche of Seti II
Artist not stated in the record · ca. 1214–1208 BCE
Kinchaku (purse) with netsuke and ojime on chord
Artist not stated in the record · ca. 1750
Fragment of tile
Artist not stated in the record · ca. 1300–1080 BCE
Knife
Artist not stated in the record · ca. 1870–80
Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II
Artist not stated in the record · ca. 1887–1878 B.C.
Design for Renaissance-Style Sideboard in Plan and Elevation
A.N. Davenport Co. · 1900–05
Plaque, two cartouches with names of Amenemhat II
Artist not stated in the record · ca. 1919–1885 B.C.
L’ASTRONOMIE / LA GÉOGRAPHIE
Artist not stated in the record · mid- 18th–late 18th century
Plaque in the Form of a Cartouche; two ankhs; ankh, two nefers
Artist not stated in the record · ca. 1491–1473 BCE
Design for an Oval Dining Table 'A" of Mahogany
A.N. Davenport Co. · 1900–05
Oblong Plaque Depicting Ramesses II Smiting Enemies, opposite side relief scene of Isis and Nephthys flanking falcon labeled Horus son of Isis
Artist not stated in the record · ca. 1290–1224 BCE
Portrait of S. Francesco Xavier (1506-1552)
Artist not stated in the record · ca. 1750
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
Arabesque Ornament Designs
Claude Gillot, French, 1673–1722 · 1749–61
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 126 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2905500 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 18:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.