OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Plaque with Goddess and Attendant” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-09-08 09:38 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Plaque with Goddess and Attendant
Artist not stated in the record · ca. 100 BCE
Trophée de Chasse
Henri Sallembier, French, ca. 1753 - 1820 · 1775–76
Goddess who bestows riches, probably Sri Lakshmi
Artist not stated in the record · 1st century BCE
Plaque of Sarasvati (Goddess of Learning and Culture)
Unidentified · 17th-18th century
Plaque with equestrian ọ́bà (king) and attendants
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Title Page
Thobie Tourneur, Le Thuraine, French, active ca. 1630 – ca. 1690 · 1660
Plaque
Chelsea Keramic Art Works · ca. 1878–82
Title Page
Thobie Tourneur, Le Thuraine, French, active ca. 1630 – ca. 1690 · 1660
Plaque with a Winged Goddess and Two Attendants
Artist not stated in the record · ca. 1st century BCE
Charger with Alexander the Great Defeating Darius Surrounded by the Four Continents
Artist not stated in the record · 1689
Plaque Depicting a Goddess or Queen, and on Opposite Side a King
Artist not stated in the record · 400–200 BCE
Plaque
Artist not stated in the record · possibly late 17th century
Gaja Lakshmi, Goddess of Fortune
Artist not stated in the record · 6th century
Plaque
Artist not stated in the record · possibly late 17th century
Sardonyx cameo of a goddess flanked by attendants
Artist not stated in the record · 1st century BCE–1st century CE
Sketchbook Page: O Goddess! Mother!
Kenyon Cox, American, 1856–1919 · 1883
Plaque with Warrior and Attendants
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Plaque with design of scholar
Inoue Ryokichi · 1840-1857
Plaque Fragment with Warrior and Attendant
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
Seated Hindu Goddess
Artist not stated in the record · late 19th century
Plaque with Ìyàsẹ́ (Royal Commander) and Attendant
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · ca. 1540–70
The Goddess Diana Leaning on an Outcropping
Francesco Brizzi, Italian, 1574 - 1623 · early 17th century
Buddhist Attendant
Artist not stated in the record · late 18th century
Four Antique Goddesses
Felice Giani, Italian, 1758–1823 · after 1850
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 161 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1522559 matched · 40 examined · 19 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-08 09:38 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.