OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Portrait of Christ” — 64 records examined, 35 dropped by the rights gate.
Archives queried 2026-09-03 05:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Portrait of Christ
Artist not stated in the record · early 20th century (original dated late 5th–early 6th century)
Head of Christ
Marc Antonio Franceschini, Italian, 1648 – 1729 · 1700–29
Stand
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1825–50
Title Page
Pierre Ranson, French, 1736–1786 · 1778
Candle Stand
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1800–1840
Design for a Monstrance
Thomas Lainé, French, 1682 – 1739 · late 18th century
Blanket Chest
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1835–75
Portrait of Mr. and Mrs. Atherton Curtis with Still Life
Henry Ossawa Tanner, born Pittsburgh, PA 1859-died Paris, France 1937 · n.d.
Rocking Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1820–50
The Savior
Henry Ossawa Tanner, born Pittsburgh, PA 1859-died Paris, France 1937 · ca. 1900-1905
Revolving Chair
United Society of Believers in Christ’s Second Appearing (“Shakers”) · 1840–70
Christ
Meade Brothers Studio, active c. 1840 - c. 1869 · c. 1860 (after 1853 daguerreotype)
Shrine of the Virgin
Artist not stated in the record · ca. 1300
Byzantine-Style Mosaic Necklace with Christ and Twelve Apostles
Unidentified (Murano, Venice, Italy) · 1870s-1910s
Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn) · 1665–67
Brigham Young
Hartwig Bornemann, 1837 - 1887 · c. 1875
Christ
Lucas van Leyden · ca. 1510
Elevation of a Sepulchral Monument
Giuseppe Barberi, Italian, 1746–1809 · 1820–1835
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte) · ca. 1590
Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)
Artist not stated in the record · late 12th–early 13th century
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi · ca. 1440
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 44801 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2866791 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-09-03 05:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.