OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Project for a Holy Water Font” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-08-28 09:10 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Baptismal Font
Artist not stated in the record · ca. 1155–70
Project for a Holy Water Font
Artist not stated in the record · 1790–1820
Baptismal Font
Artist not stated in the record · 1137
Project for a Holy Water Font
Artist not stated in the record · 1770–1790
Holy-water Font
Guglielmus · ca. 1160–65
Project for a Holy Water Font
Artist not stated in the record · late 18th century
Situla (Bucket for Holy Water)
Artist not stated in the record · 860–880
Design for a Holy Water Stoup
Thomas Lainé, French, 1682 – 1739 · ca.1740
Holy-water stoup with relief of Mary of Egypt
Giovanni Giardini · ca. 1702
Design for a Holy Water Spout
Artist not stated in the record · late 18th century
Seasons and Elements (Summer) (set of four)
Charles Le Brun · ca. 1683
Design for a Holy Water Stoup
Artist not stated in the record · late 18th century
Seasons and Elements (Fire) (set of four)
Charles Le Brun · ca. 1683
Designs for Tables, Mirror Frames, Holy Water Stoups and a Clock, Plate 15 from "Nuove Inventioni d'Ornamenti"
Filippo Passerini, Italian, about 1638 – 1698 · 1698
Seasons and Elements (Spring) (set of four)
Charles Le Brun · ca. 1683
Bénitier
Pierre Germain, French, 1703 - 1783 · 1748
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto) · 1648
Calice. Goupillon. Bénitier.
Richard de Lalonde, French, active 1780–96 · 1775-1788
Baptism of Christ
Alessandro Algardi · second half of the 17th century
Calice. Goupillon. Bénitier.
Richard de Lalonde, French, active 1780–96 · 1775-1788
Bronze man and centaur
Artist not stated in the record · ca. 750 BCE
Design for Holy Water Spouts, from "Inventions Pour Faire des Plaques"
Artist not stated in the record · ca. 1600
The Penitence of Saint Jerome
Joachim Patinir · ca. 1515
Design for a Hot Water Spout
Artist not stated in the record · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 949 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2523656 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 09:10 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.