OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Project for a Wall Decoration” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-07 00:52 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Tomb Chapel of Raemkai: East Wall
Artist not stated in the record · ca. 2446–2389 BCE
Project for a Wall Decoration
Artist not stated in the record · late 18th century
Wall fountain
Simone Mosca · 1527–34
Project for a Wall Decoration
Artist not stated in the record · late 18th century
Mastaba Tomb of Perneb
Artist not stated in the record · ca. 2381–2323 BCE
Project for a Wall Decoration
Artist not stated in the record · late 18th century
Tomb Chapel of Raemkai: South Wall
Artist not stated in the record · ca. 2446–2389 BCE
Project for a wall decoration (Female figures and putti support a circular medallion with coat of arms)
Artist not stated in the record · ca. 1700
Study for "A Sunday on La Grande Jatte"
Georges Seurat · 1884
Project for a wall decoration (Female figures and putti support medallion with coat of arms)
Luca Giordano, Italian, 1634 - 1705 · ca. 1700
Tomb Chapel of Raemkai
Artist not stated in the record · ca. 2446–2389 BCE
One of a set of twelve projects for the decoration of a wall to be placed at a height. Preceded by a title page.
Artist not stated in the record · 1675–99
Wall clock (cartel)
Etienne LeNoir · ca. 1735–40
One of a set of twelve projects for the decoration of a wall to be placed at a height. Preceded by a title page
Artist not stated in the record · 1675-1699
Two wall sconces (Bras de cheminée)
Jean-Claude Duplessis · ca. 1761
One of a set of twelve projects for the decoration of wall panels, to be placed at a height. Preceded by a title page (Wall Decoration: Angel and Escutcheon)
Artist not stated in the record · 1675-1699
Relief from the Palace of Apries in Memphis
Artist not stated in the record · 589–570 BCE
Project for the decoration of a chapel
Artist not stated in the record · 1700–1730
Holy Family with an Angel
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) · ca. 1490
Project for an Elevation of Garden Architecture (Entrance to a Villa or Garden)
Unknown, Italian · 1725–75
Stove
David II Pfau · ca. 1684–85
One of a set of twelve projects for the decoration of wall panels, to be placed at a height. Preceded by a title page
Artist not stated in the record · 1675-1699
Architectural woodwork and paneling
George A. Schastey & Co. · 1881–82
One of a set of twelve projects for the decoration of wall panels, to be placed at a height. Preceded by a title page
Artist not stated in the record · 1675-1699
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 3031 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2542499 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-07 00:52 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.