OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Raised relief fragment with female offering bearers” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-08-26 20:23 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Raised relief fragment with female offering bearers
Artist not stated in the record · 664–610 BCE
Sidewall
Artist not stated in the record · 1860–65
Relief from the Tomb of Nespekashuty
Artist not stated in the record · 656–650 BCE
Panel
Artist not stated in the record · ca. 1890
Estate Figure
Artist not stated in the record · ca. 1981–1975 B.C.
Fragment
Artist not stated in the record · ca. 1820
Tomb Chapel of Raemkai: West Wall
Artist not stated in the record · ca. 2446–2389 BCE
Fragment
Artist not stated in the record · 1650–1700
Raised relief fragment with a male offering bearer
Artist not stated in the record · 664–610 BCE
Design for a Salt Cellar and Egg Dish with Fork and Spoon
Ottavio Strada, Italian, 1550 – 1612 · late 16th century
Relief of offering bearers carrying boxes
Artist not stated in the record · ca. 2051–2030 B.C.
Four Continents
Artist not stated in the record · ca. 1770
Raised relief fragment with head of an offering bearer and offerings
Artist not stated in the record · 664–610 BCE
Four Continents
Artist not stated in the record · ca. 1770
Saddle
Artist not stated in the record · ca. 1400–1420
Four Continents
Artist not stated in the record · ca. 1770
Raised Relief Fragment with Preliminary Drawing of Offerings
Artist not stated in the record · 664–610 BCE
Four Continents
Artist not stated in the record · ca. 1770
Relief scene from the tomb of Queen Neferu: fragments from two registers showing male and female attendants moving to the right
Artist not stated in the record · ca. 2051–2030 B.C.
Fragment
Artist not stated in the record · 800–1000
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian, 1758–1823 · 1811–14
Relief fragments from procession of attendants
Artist not stated in the record · ca. 2051–2030 B.C.
Stuart Monument
Giuseppe Barberi, Italian, 1746–1809 · 1793
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 86 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 820833 matched · 40 examined · 17 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 20:23 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.