Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Raphael Morghen” — 62 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-28 14:15 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Apollo and the Muses on Parnassus
Raphael Morghen · 1784

The Madonna della Sedia
Artist not stated in the record · ca. 1800-1820

Lady Hamilton as the Comic Muse, Thalia
Raphael Morghen · 1791

Imago Equestris Francisco de Moncada
Stephanus Tofanelli · 1758-1833

The Madonna embracing the sleeping Christ child
Raphael Morghen · 1797

Two Figures Carving onto a Tree
Artist not stated in the record · 1758-1833

Lady Hamilton as the Comic Muse, Thalia
Raphael Morghen · 1791

Johannes Vulpatus Caelator Eximus Ann. LXVII
Raphael Morghen, Italian, born Naples, Italy 1758-died Florence, Italy 1833 · n.d.

Mary Magdalene, penitent in the desert
Raphael Morghen · 1801

Jupiter Aegiocus...
Raphael Morghen, Italian, born Naples, Italy 1758-died Florence, Italy 1833 · n.d.

Charity with three small children
Raphael Morghen · 1795

Portrait of Galileo Galilei (1562-1642)
Artist not stated in the record · ca. 1800

La Fornarina
Raphael Morghen · 1814

Portrait of Guido Reni
Artist not stated in the record · 1801

The infant Bacchus seated under a tree, holding up a wine glass, with another infant behind him at left
Raphael Morghen · 1780

King Charles III of Spain
Filippe Morghen, 1730 - c. 1807 · c. 1760

The tomb of Pope Clement XIII Rezzonico in the Vatican
Raphael Morghen · ca. 1790

A Bacchante
Artist not stated in the record · 1760-1770

Madonna of the chair (Madonna della Seggiola)
Raphael Morghen · 1793

Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to...
Felice Giani, Italian, 1758–1823 · 1803–09

Poetry, a woman with a laurel crown
Raphael Morghen · 1827

Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to...
Felice Giani, Italian, 1758–1823 · 1803–09

Christ proclaiming the law
Raphael Morghen · 1817

Raphael Semmes
Unidentified Artist · c. 1861-65 (after earlier photograph)
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 22 matched · 22 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1195 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 14:15 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.