OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Record of taxes on property, including enslaved persons, owned by John Rouzee” — 60 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-01 00:58 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Last Supper
Ugolino da Siena (Ugolino di Nerio) · ca. 1325
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · 1824
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1650
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 17, 1812
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari) · 1570s
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 18, 1819
Cardinal Fernando Niño de Guevara (1541–1609)
El Greco (Domenikos Theotokopoulos) · ca. 1600
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 19, 1816
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · November 24, 1823
Pilate Washing His Hands
Mattia Preti (Il Cavalier Calabrese) · 1663
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 26, 1815
Queen Henrietta Maria
Anthony van Dyck · 1636
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · November 12, 1839
Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman
Aelbert Cuyp · ca. 1652–53
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 2, 1817
Mont Sainte-Victoire and the Viaduct of the Arc River Valley
Paul Cézanne · 1882–85
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 23, 1832
Portrait of a Woman and an Enslaved Servant
Nicolas de Largillierre (or Largillière) · 1696
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 10, 1834
The Musicians
Caravaggio (Michelangelo Merisi) · 1597
Record of taxes on property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 15, 1835
The Cellier Altarpiece
Jean Bellegambe · 1511–12
Record of taxable property, including enslaved persons, owned by John Rouzee
Artist not stated in the record · October 27, 1813
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 20 matched · 20 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483021 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 00:58 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.