OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Relief Fragment Showing Waterfowl in a Clapnet” — 64 records examined, 9 dropped by the rights gate.
Archives queried 2026-08-27 08:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief Fragment Showing Waterfowl in a Clapnet
Artist not stated in the record · ca. 2020–2000 B.C.
Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826)
Camillo Gajani, Italian · ca. 1820
Tomb Chapel of Raemkai: West Wall
Artist not stated in the record · ca. 2446–2389 BCE
Sidewall
Artist not stated in the record · 1860–65
Relief of Nebhepetre Mentuhotep II and the Goddess Hathor
Artist not stated in the record · ca. 2010–2000 B.C.
Design for a Bedroom, Hotel de Mailly-Nesle, Paris
Gilles Paul Cauvet, French, 1731–1788 · 1770–80
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Artist not stated in the record · ca. 525–515 BCE
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian, 1758–1823 · 1811–14
Relief of offering bearers carrying boxes
Artist not stated in the record · ca. 2051–2030 B.C.
Textile
Artist not stated in the record · 18th century
Relief Fragment Depicting a Kneeling Woman
Artist not stated in the record · ca. 1473–1458 BCE
Textile
Artist not stated in the record · mid-18th century
Relief showing Khety’s hand, with a graffito of Ramesside date
Artist not stated in the record · ca. 2051–2000 B.C.
Ewer with a Bas-Relief
Artist not stated in the record · 1543
Gilded silver relief
Artist not stated in the record · 7th–6th century BCE
Textile
Jean-Baptiste Huët, French, 1745–1811 · ca. 1788
Marble relief fragment
Artist not stated in the record · 1st–2nd century CE
Textile
Artist not stated in the record · ca. 1855
Chalice fragment showing a file of nude females in a marshy landscape, inscribed, associated with 2013.635
Artist not stated in the record · ca. 945–721 BCE
Relief from the South Wall of a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Relief from the North Wall of a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 398 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483322 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 08:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.