OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Relief Fragment with Part of a Vertical Inscription” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-27 01:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief Fragment with Part of a Vertical Inscription
Artist not stated in the record · ca. 1981–1975 B.C.
Sheets of Studies after Bolognese Monuments
Felice Giani, Italian, 1758–1823 · 1811–14
Ten marble fragments of the Great Eleusinian Relief
Artist not stated in the record · ca. 27 BCE–14 CE
Renaissance Monument in Benedictine Church, Fecamp, Normandy
Auguste-Pierre Sainte-Marie Famin, French, 1776 – 1859 · 1798
Fragment of a Floor Mosaic with a Personification of Ktisis
Artist not stated in the record · 500–550, with modern restoration
Designs for a Capital, Sarcophagus, and Relief
Romolo Achille Liverani, Italian, 1809 - 1872 · ca. 1840
Relief with the Annunciation
Artist not stated in the record · ca. 1180–1200
Fragment
Artist not stated in the record · 13th–14th century
Relief of Nebhepetre Mentuhotep II and the Goddess Hathor
Artist not stated in the record · ca. 2010–2000 B.C.
Fragment
Artist not stated in the record · 1800–1808
Vaikuntha Vishnu
Artist not stated in the record · last quarter of the 8th century
Architectural Details in Classical and Pseudo-Classical Style
Romolo Achille Liverani, Italian, 1809 - 1872 · ca. 1840
Raised relief fragment with part of an inscription
Artist not stated in the record · 664–610 BCE
Wall tile (fragment)
Artist not stated in the record · 12th-13th century
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Artist not stated in the record · ca. 525–515 BCE
Cope hood fragment
Artist not stated in the record · late 14th or early 15th century
Tomb Chapel of Raemkai: False Door on West Wall
Artist not stated in the record · ca. 2446–2389 BCE
Fragment
Artist not stated in the record · 14th–15th century
Relief Fragment with a Ship Under Sail
Artist not stated in the record · ca. 2465–2458 BCE
Sidewall
Artist not stated in the record · 1795–1800
Pair of Minbar Doors
Artist not stated in the record · ca. 1325–30
Fragment
Artist not stated in the record · late 18th century
Relief fragment with a cobra on the royal head
Artist not stated in the record · ca. 2020–2000 B.C.
Fragment
Artist not stated in the record · 1750–1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2496 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3891928 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 01:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.