OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Relief from the tomb of Queen Neferu: parts of one female and one male attendant (see 26.3.353-1)” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-08-27 12:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief from the tomb of Queen Neferu: parts of one female and one male attendant (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Three tombs
Giuseppe Barberi, Italian, 1746–1809 · 1796
Relief from the tomb of Queen Neferu: parts of two female attendants (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Design for Three Tomb Monuments
Giuseppe Barberi, Italian, 1746–1809 · 1795
Relief from the tomb of Queen Neferu: two female attendants (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826)
Camillo Gajani, Italian · ca. 1820
Relief fragments from the tomb of Queen Neferu: male and female attendants
Artist not stated in the record · ca. 2051–2030 B.C.
The Assumption of the Virgin, from the Life of the Virgin series
Artist not stated in the record · 1510
Relief from the tomb of Queen Neferu: part of a female attendant (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Tomb Portrait of Queen Isabella I of Castile
Raimundo de Madrazo, Spanish, 1841–1920
Relief from the Tomb of Nespekashuty
Artist not stated in the record · 656–650 BCE
Tomb Carving from the Museum at Athens, Greece
Frederic Edwin Church, American, 1826–1900 · April 14-25, 1869
Relief from the tomb of Queen Neferu: part of a sunshade (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Sepulchral Monument to a Hero
Unknown, Italian · 1815–30
Relief from the tomb of Queen Neferu: two female attendants
Artist not stated in the record · ca. 2051–2030 B.C.
Proof for textile: The tomb of J.J.Rousseau
Oberkampf & Cie., Jouy-en-Josas, France, 1759–1815 · 1780
Relief scene from the tomb of Queen Neferu: fragments from two registers showing male and female attendants moving to the right
Artist not stated in the record · ca. 2051–2030 B.C.
A Tomb Monument
Gilles-Marie Oppenord, French, 1672–1742 · 1692–99
Relief from the tomb of Queen Neferu: part of a female attendant with a sunshade (see 26.3.353-1)
Artist not stated in the record · ca. 2051–2030 B.C.
Fame Adoring Shakespeare's Tomb
Artist not stated in the record · ca. 1800
Relief of female attendants and oxen - see 26.3.353-3
Artist not stated in the record · ca. 2051–2030 B.C.
Six tombs
Giuseppe Barberi, Italian, 1746–1809 · 1795
Relief of part of a female attendant - see 26.3.353-3
Artist not stated in the record · ca. 2051–2030 B.C.
Standing Youth and Seated Magus with Monkey on Leash, plate 18 from the Scherzi di Fantasia
Giovanni Battista Tiepolo, Italian, 1692 - 1770 · 1750-60
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 301 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4344164 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 12:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.