OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Relief of Women in a Boat” — 64 records examined, 21 dropped by the rights gate.
Archives queried 2026-09-03 05:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief of Women in a Boat
Artist not stated in the record · 664–525 BCE
Design for clock
Lefebvre Manufactory, Tournai · 1800–1825
Quilt, Album pattern
Brown and Turner families · begun 1846
Design for Toile de Jouy: La Marchande d'Amours (The Cupid Seller)
Hippolyte Le Bas, French, 1782–1867 · 1817–18
Menat necklace from Malqata
Artist not stated in the record · ca. 1386–1347 BCE
Design for a Chimneypiece
Artist not stated in the record · 1780–1800
Relief from the Tomb of Nespekashuty
Artist not stated in the record · 656–650 BCE
Sauceboat (One of a Pair)
Bow Porcelain Manufactory, English, active ca. 1744 – 1776 · ca. 1750
Relief from the Palace of Apries in Memphis
Artist not stated in the record · 589–570 BCE
Sauce boat
Artist not stated in the record · mid- 18th century
Model Sporting Boat
Artist not stated in the record · ca. 1981–1975 B.C.
Sauceboat (One of a Pair)
Bow Porcelain Manufactory, English, active ca. 1744 – 1776 · ca. 1750
Model Sailing Boat Transporting a Mummy
Artist not stated in the record · ca. 1900–1885 B.C.
Men and Women Unloading a Fishing Dory, Cullercoats, England
Winslow Homer, American, 1836–1910 · 1881–82
The Trojan Women Setting Fire to Their Fleet
Claude Lorrain (Claude Gellée) · ca. 1643
Two Women Lashed to a Boat's Mast
Winslow Homer, American, 1836–1910 · 1895
The Abduction of the Sabine Women
Nicolas Poussin · probably 1633–34
Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826)
Camillo Gajani, Italian · ca. 1820
Ivory decorative plaque
Artist not stated in the record · 2nd half of 7th century BCE
Tusk
Kongo artist · ca. 1860
Ten marble fragments of the Great Eleusinian Relief
Artist not stated in the record · ca. 27 BCE–14 CE
Sketches of Figures and a Boat, Mexico
Frederic Edwin Church, American, 1826–1900 · 1890–93
Model boat
Artist not stated in the record · ca. 1981–1802 B.C.
Femme dressée sur un piédestal orné de bas-reliefs (Woman Standing on a Pedestal Decorated with Bas-Reliefs)
Artist not stated in the record · 1768, published 1770
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 33904 matched · 24 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7484468 matched · 40 examined · 17 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 05:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.