OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Relief of an attendant's hand holding a necklace - see 26.3.353-3” — 64 records examined, 18 dropped by the rights gate.
Archives queried 2026-08-28 06:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief of an attendant's hand holding a necklace - see 26.3.353-3
Artist not stated in the record · ca. 2051–2030 B.C.
Dish with the Four Continents
Artist not stated in the record · 19th century
Relief of a hand with part of necklace - see 26.3.353-3
Artist not stated in the record · ca. 2051–2030 B.C.
Study for an Oval Ceiling Design, Apollo, Strength, and Love
Fedele Fischetti, Italian, 1734 - 1789 · 1760–89
Relief of an attendant raising a necklace in front of a pole-like image
Artist not stated in the record · ca. 2051–2030 B.C.
Four Continents
Artist not stated in the record · ca. 1770
Fudō Myōō, the Immovable Wisdom King (Achala Vidyaraja)
Kaikei · early 13th century
Four Continents
Artist not stated in the record · ca. 1770
Carved amber bow of a fibula (safety pin)
Artist not stated in the record · ca. 500 BCE
Four Continents
Artist not stated in the record · ca. 1770
Relief scene from the tomb of Queen Neferu: fragments from two registers showing male and female attendants moving to the right
Artist not stated in the record · ca. 2051–2030 B.C.
Four Continents
Artist not stated in the record · ca. 1770
Relief Fragments from a Large Figure of Mentuhotep II
Artist not stated in the record · ca. 2051–2000 B.C.
Embroidered picture
Artist not stated in the record · late 17th century
Saddle
Artist not stated in the record · ca. 1400–1420
Holy Family with Attending Cherubs
Artist not stated in the record · 1759
Relief fragments from an elaborate false doorway
Artist not stated in the record · ca. 2051–2030 B.C.
Textile
Artist not stated in the record · late 17th century
Relief panel
Artist not stated in the record · ca. 883–859 BCE
Studies of Hands and Putti with an Escutcheon
Artist not stated in the record · 1580-1590
Relief with enthroned ruler
Chakalte' · 770 CE
![The Penitent Man on his Deathbed [left]; The Penitent Man Visited by a Priest and Angels [right], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-9277_02-000001.jpg&w=3840&q=75)
The Penitent Man on his Deathbed [left]; The Penitent Man Visited by a Priest and Angels [right]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1590 – 1595
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Artist not stated in the record · 1500–1520
![Crucifixion with the Four Evangelists [left]; Saint Bridget [right, above]; Hospital Scene [right, below], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-7917_02-000001.jpg&w=3840&q=75)
Crucifixion with the Four Evangelists [left]; Saint Bridget [right, above]; Hospital Scene [right, below]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580 – 1605
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 133 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3863976 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 06:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.