OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Relief with two royal male figures” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-31 14:04 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Relief with two royal male figures
Artist not stated in the record · ca. 1347–1330 BCE
Dessein des grandes Grilles posées sur la Place Royale de Nancy en 1755 par ordre de S.M. le Roy de Pologne
Jean Lamour, French, 1698–1771 · 1767–68
Mantel clock with musical movement
Jean-Baptiste-André Furet · ca. 1784
Design for the North Wall of the Music Room, Royal Pavilion, Brighton
Frederick Crace, English, 1779–1859 · 1818–19
Jewish Woman of Algiers
Charles-Henri-Joseph Cordier · 1862
Préliminaire Apologétique Sur La Forge.
Jean Lamour, French, 1698–1771 · 1767–68
Smiling figure (Sonriente)
South central Veracruz artist(s) · 600–1000 CE
Grand Trumeau de la Galerie d’Apollon
Jean Bérain the Younger, French, 1674 – 1726 · 1710
Court official from a commemorative altar
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists · 16th–17th century
Four Cartouche Designs
Juan Dolívar, Spanish, active in France, 1641–1692 · ca. 1690
Mirror-bearer
Maya artist(s) · 410–650 CE
Pitcher
Mintons · 1868
Standing Figure with Feathered Headdress
Artist not stated in the record · 12th–early 13th century
Dish with the Four Continents
Artist not stated in the record · 19th century
Standing Figure with Jeweled Headdress
Artist not stated in the record · 12th–early 13th century
relief
Artist not stated in the record · ca. 1781
Alexander Danilovich Menshikov (1673–1729)
Unknown · probably shortly before 1704
Le Chateau des Tuileries du còté du Pont Royal a Paris (Tuileries Palace next to the Pont Royal in Paris)
Chez Daumont, active 18th century
Relief with the Annunciation
Artist not stated in the record · ca. 1180–1200
Titlepage and Cartouche Designs
Juan Dolívar, Spanish, active in France, 1641–1692 · ca.1690
Woman from the French Colonies
Charles-Henri-Joseph Cordier · 1861
Copy of the Portland Vase
Josiah Wedgwood and Sons, British · 1850–1860
Roller (one of a pair)
Meissen Manufactory · ca. 1740
Design for Footed Vase, in Vasses de la Maison Royalle de Loo Nouvellement (New Vases for the Royal House of Loo)
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · ca. 1700
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 3361 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 957959 matched · 40 examined · 5 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 14:04 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.