OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Reliquary Chasse” — 64 records examined, 21 dropped by the rights gate.
Archives queried 2026-09-06 02:06 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Reliquary
Artist not stated in the record · ca. 1200–1220
Chasse with Saints and Angels
Artist not stated in the record · 16th century
Chasse of Champagnat
Artist not stated in the record · ca. 1150
Project for a reliquary, intended to be executed in wood
Artist not stated in the record · ca. 1770
Reliquary Chasse
Artist not stated in the record · 1207–13
Designs for Reliquaries
Artist not stated in the record · 1698
Chasse
Artist not stated in the record · 13th century
Sketched for a Reliquary
Filippo Passarini, 1636–1698 · 1698
Chasse
Artist not stated in the record · ca. 1300
Design for a Reliquary
Artist not stated in the record · 1750–1775
Chasse
Artist not stated in the record · 13th century
Design for a Reliquary for a Thorn of the Crown
Artist not stated in the record · late 18th century
Chasse
Artist not stated in the record · 13th century
Design for a Reliquary
Luigi Righetti, Italian, 1780 - 1819 · 1802
Chasse
Artist not stated in the record · 13th century
Design for a Reliquary
Luigi Righetti, Italian, 1780 - 1819 · 1802
Chasse
Artist not stated in the record · 13th century
Design for a Reliquary
Pietro Belli, Italian, 1780–1828 · ca. 1810
Chasse
Artist not stated in the record · late 12th–early 13th century
Design for a Reliquary
Luigi Righetti, Italian, 1780 - 1819 · 1812
Chasse
Artist not stated in the record · 12th century
Elevation of a Reliquary Cross
Pietro Belli, Italian, 1780–1828 · 1815–40
Chasse
Artist not stated in the record · 13th century (core); 19th century or later (enamels)
Design for Reliquary
Leonardo Scaglia, French, active Italy, 1640 – 1650 · 1620–30
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 31 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 150 matched · 40 examined · 19 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 02:06 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.