OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Reverse ogee frame” — 64 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-31 18:18 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Reverse ogee frame
Artist not stated in the record · ca. 1645
Design for a Tabernacle
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809
Reverse ogee frame
Southern Italy · late 17th–early 18th century
Handscreen
Artist not stated in the record · late 18th–early 19th century
Reverse ogee frame
Italy (Naples) · ca. 1660
Textile
Artist not stated in the record · late 18th century
Reverse ogee frame
Artist not stated in the record · late 19th century (style 17th century)
Fragment
Artist not stated in the record · early 19th century
Reverse ogee frame
Artist not stated in the record · mid-17th century
Persian Pattern Ice Cream Knife
Edward C. Moore (1827-1891) · ca. 1872–1904
Ogee frame
Artist not stated in the record · ca. 1700–1720
Carpet fragment
Artist not stated in the record · 1860–1870
Ogee frame
Artist not stated in the record · ca. 1720–30 (?)
Fragment
Artist not stated in the record · 17th century
Bona Sforza (1493–1557), Queen of Poland
Giovanni Jacopo Caraglio · cameo ca. 1530–40, frame 19th century
Jar and lid
Artist not stated in the record · 19th century
Reverse frame
Artist not stated in the record · ca. 1640
Textile
Artist not stated in the record · 19th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters · second half 16th century (panels); ca. 1865–90 (frame)
Design for the Decoration of Mouldings
C. C., French, active 19th c. · 1811
Reverse cassetta frame
Artist not stated in the record · ca. 1630
Textile
Artist not stated in the record · ca. 1500
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto) · 1648
Fragments
Artist not stated in the record · 15th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 668 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 50877 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 18:18 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.