OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 17 shown for “Sacristy cabinet” — 45 records examined, 24 dropped by the rights gate.
Archives queried 2026-08-28 08:52 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Sacristy cabinet
Artist not stated in the record · ca. 1450–80
Design for a Hanging Sacristy Cupboard
Artist not stated in the record · ca. 1800
Sibyl
Agostino Zoppo · mid-16th century
![Plan et Elevation d'un Retables d'autel en voußure, Ornée d'une Console [et] Plan et Elevation d'un Retable d'autel avec une Porte de Sacristie, by Juste-François Boucher, French, 1736 – 1782](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-850B7E2517F42-000001.jpg&w=3840&q=75)
Plan et Elevation d'un Retables d'autel en voußure, Ornée d'une Console [et] Plan et Elevation d'un Retable d'autel avec une Porte de Sacristie
Juste-François Boucher, French, 1736 – 1782 · 1774
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari) · 1570s
Sketches for Frames, for the Sacristy of St. Peter's
Carlo Marchionni, Italian, 1702–1786 · 1740–58
The Adoration of the Magi
Giotto di Bondone · possibly ca. 1320
Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome
Giuseppe Palazzi, Italian, 1740 - 1810 · late 18th century
The Martyrdom of Saint Clement I, Pope
Agostino Ciampelli · 1596–97
Plan et Elévation d’un Choeur d’Eglise, avec une porte de Sacristie à côté
F. Cornille, active 1740 - 1756 · 1751–55
Plan et Elévation d’un Choeur dont le bout est ceintré en tour creuse avec une Porte de Sacristie à côté
F. Cornille, active 1740 - 1756 · 1751–55
Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome
Giuseppe Palazzi, Italian, 1740 - 1810 · late 18th century
Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome
Giuseppe Palazzi, Italian, 1740 - 1810 · late 18th century
Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome
Giuseppe Palazzi, Italian, 1740 - 1810 · late 18th century
Design for a Doorway to the Sacristy of St. Peter's, Rome
Carlo Marchionni, Italian, 1702–1786 · ca. 1778
Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy
Giacomo del Po, Italian, 1652 - 1726 · ca. 1712
Study of Two Putti
Francesco Solimena, Italian, 1657–1747 · 1689–94
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5 matched · 5 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.5 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3182 matched · 40 examined · 24 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 08:52 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.