OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Saint Jerome (one of a pair)” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-09-04 10:08 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Saint Jerome (one of a pair)
Artist not stated in the record · mid-16th century
Saint Jerome
Artist not stated in the record · ca. 1760–1770
Quilt, Album pattern
Brown and Turner families · begun 1846
Study for a Painting: The Glory of Saint Dominic
Giacomo Zampa, Italian, 1731 - 1808 · ca. 1800
Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos) · ca. 1610
Saint Jerome Beside a Pollard Willow
Artist not stated in the record · 1648
Pair of Flintlock Pistols of Empress Catherine the Great (1729–1796)
Johan Adolph Grecke · 1786
Saint Jerome Reading in an Italian Landscape
Artist not stated in the record · ca. 1653
Boiserie from the Hôtel Lauzun
Artist not stated in the record · ca. 1770, with one modern panel
Saint Jerome
van Roymerswael, Marinus
The Penitence of Saint Jerome
Joachim Patinir · ca. 1515
Saint Jerome
Artist not stated in the record · ca. 1675
Saint Agnes (one of a pair)
Diego de Tiedra · mid-16th century
Saint Jerome
Artist not stated in the record · ca. 1650
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi) · early 1490s
The Four Evangelists, Study after Giambologna
Felice Giani, Italian, 1758–1823 · 1821–22
Vase (one of a pair)
Saint-Cloud factory · ca. 1695–1700
St. (Jerome?) in Ecstasy
Artist not stated in the record · 1816
Figure mounted as a candelabrum (one of a pair)
Saint-Cloud factory · figures ca. 1730–40, mounts ca. 1745–50
St. Jerome in Penitence
Artist not stated in the record · ca. 1497
Jar (One of a Pair)
Saint-Cloud Porcelain Manufactory, French, active by 1693 - 1766 · ca. 1725–1750
Saint Jerome in the Wilderness
Antonio Rossellino · ca. 1470
Saint Jerome
Artist not stated in the record · ca. 1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 7042 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3986723 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 10:08 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.