Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Saint Nicholas” — 24 records examined, 1 dropped by the rights gate.
Archives queried 2026-08-28 10:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.

Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
Artist not stated in the record · ca. 1200–1210

Saint Nicholas
Artist not stated in the record · 1340–50

Cameo with Saint Nicholas
Artist not stated in the record · 12th–13th century

Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas
Master G.Z. (possibly Michele dai Carri, Italian, Ferrara, active by 1405–died 1441 Ferrara) · ca. 1420–30

Saint Nicholas of Bari
Pietro di Giovanni d'Ambrogio · mid-1430s

Saint Nicholas of Tolentino Reviving a Child
Garofalo (Benvenuto Tisi da Garofalo) · ca. 1530

Saint Nicholas of Tolentino Reviving the Birds
Garofalo (Benvenuto Tisi da Garofalo) · ca. 1530

Saint Nicholas with the Three Boys in the Pickling Tub
Artist not stated in the record · ca. 1500

The Exultation of Saint Nicholas of Tolentino
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1450

Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas
Artist not stated in the record · early 15th century

Cameo with the Fasting of Saint Nicholas
Artist not stated in the record · ca. 1200–1250

Condemned Soldiers from Scenes from the Life of Saint Nicholas
Artist not stated in the record · ca. 1200–1210
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 258 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-08-28 10:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.