OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Sarah Freeman Clarke” — 64 records examined, 23 dropped by the rights gate.
Archives queried 2026-09-08 02:27 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Egyptian Revival Triptych
Sarah Freeman Clarke · 1874 or after
Trillium stamineum Harb.
Artist not stated in the record · 11 Mar 1967
James Freeman Clarke
Southworth and Hawes · ca. 1850
William Hull
Sara Ann Freeman Clarke, 1808 - c. 1890 · c. 1825
Circus Sideshow (Parade de cirque)
Georges Seurat · 1887–88
Dichanthelium sphaerocarpon var. isophyllum (Scribn.) Gould & C.A. Clark
Artist not stated in the record · 6 Jul 1954
Dancer with a Fan
Edgar Degas · ca. 1880
Portrait of George Bennett (1804-1893)
Freeman (late Oswald Allen) · 1875
Quilted tablecover
Sarah Clark Parsons · ca. 1810–15
Trillium discolor Wray ex Hook.
Artist not stated in the record · 1 May 1966
Sigismonda (Sigismunda)
Benjamin Smith · June 4, 1795
Cyperus victoriensis C.B. Clarke
Artist not stated in the record · 12 Mar 1984
The Singer in Green
Edgar Degas · ca. 1884
Sarah Prince Fenn's Sampler
Fenn, Sarah Prince · 1775
John Barnard
John Michael Rysbrack · 1744
John Clarke
William Bache, 22 Dec 1771 - 9 Jul 1845 · c. 1803-04
The Coronation of the Virgin
Annibale Carracci · after 1595
William Clarke
William Bache, 22 Dec 1771 - 9 Jul 1845 · c. 1803-04
Double Capital
Artist not stated in the record · late 15th century
Daniel Clark
William Bache, 22 Dec 1771 - 9 Jul 1845 · 1804
Double Capital
Artist not stated in the record · late 15th century
Trillium albidum J. D. Freeman
Artist not stated in the record · 9 May 1967
Double Column Base
Artist not stated in the record · late 15th century
Coleotrype natalensis C.B. Clarke
Artist not stated in the record · 20 Jul 2015
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 181 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 83555 matched · 40 examined · 20 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-08 02:27 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.