Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Scarab with Hieroglyphs” — 64 records examined, 39 dropped by the rights gate.
Archives queried 2026-08-27 06:52 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Scarab with Hieroglyphs
Artist not stated in the record · ca. 1850–1640 B.C.

Textile
Artist not stated in the record · ca. 1805

Scarab with Hieroglyphs and Hathor Sistrum
Artist not stated in the record · ca. 1760–1670 B.C.

Chef de piece
Artist not stated in the record · 1790–99

Scarab with Hieroglyphs and Recumbent Donkey
Artist not stated in the record · ca. 1700–1600 B.C. (Middle Bronze Age IIB)

Vase
Tiffany & Company, American, established 1853 · ca. 1909–10

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1300–1080 BCE

Sepulcher in Egyptian Style with Caryatids and a Lion
Louis-Jean Desprez, French, active Sweden, 1743–1804 · ca. 1779–84

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1640–1550 B.C.

Scarab
Artist not stated in the record · ca. 1910

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1760–1670 B.C.

Egyptian Artifact
Artist not stated in the record · late 19th century

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1760–1670 B.C.

Sepulcher in Egyptian Style with Sphinxes and an Owl
Louis-Jean Desprez, French, active Sweden, 1743–1804 · ca. 1779–84

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1850–1640 B.C.

Project for a Fountain
Artist not stated in the record · ca. 1780

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1850–1640 B.C.

Spaccato della bottega ad uso di caffè detta degl'Inglesi situata in piazza di Spagna..., from Diverse Maniere d'adornare i cammini
Giovanni Battista Piranesi, Italian, 1720–1778 · 1769

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1850–1640 B.C.

Chimneypiece, from Diverse Maniere d'adornare i cammini
Giovanni Battista Piranesi, Italian, 1720–1778 · 1769

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1640–1550 B.C.

Altro spaccato per longo della stessa bottega, ove si vedonofra le aperture del vestibolo le immense piramide, from Diverse Maniere d'adornare i cammini
Giovanni Battista Piranesi, Italian, 1720–1778 · 1769

Scarab Inscribed with Hieroglyphs
Artist not stated in the record · ca. 1850–1640 B.C.

Purse with Egyptian ornament
Sloan & Company · ca. 1880
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1966 matched · 24 examined · 11 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 248335 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 06:52 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.