OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Scene of Fishing and Fowling” — 64 records examined, 27 dropped by the rights gate.
Archives queried 2026-08-27 06:12 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Scene of Fishing and Fowling
Artist not stated in the record · ca. 1347–1330 BCE
Designs for Firearms Ornament and Hunting Scenes
Gilles Demarteau, Flemish, 1722 – 1776 · 1736
Fishing
Edouard Manet · ca. 1862–63
Market Scene
Bucholzer, H. · 1848
Model Sporting Boat
Artist not stated in the record · ca. 1981–1975 B.C.
Fowling
Jan Collaert II, Flemish, 1560 – 1628 · ca. 1595
North Side of the West Wall of Nakht's Offering Chapel
Norman de Garis Davies · 1908–1914; original ca. 1410–1370 BCE
Overdoor
Artist not stated in the record · ca. 1825
Relief block depicting plucking and roasting fowl and herds crossing water
Artist not stated in the record · ca. 1962–1952 B.C.
Project for Tapestry Dedicated to Farm Life
Jean-Baptiste Huet, French, 1745 – 1811 · 1780–95
Fishing and Fowling, Tomb of Ipuy
Nina de Garis Davies · ca. 1290–1224 BCE
Le Sacrifice à l'Amour (Offrande à l'Amour)
Jean-Baptiste Huët, French, 1745–1811 · ca. 1795
Fish Market
Joachim Beuckelaer · 1568
Brisé fan
Artist not stated in the record · 1690–1710
Vessel with mythological scene
Metropolitan Painter · 600–800 CE
La Couronnement de la Rosiere
Jean-Baptiste Huët, French, 1745–1811 · 1789–92
Tomb Chapel of Raemkai: North Wall
Artist not stated in the record · ca. 2446–2389 BCE
Ameiurus melas
Artist not stated in the record · 2 Jul 1894
Relief Fragment Showing Waterfowl in a Clapnet
Artist not stated in the record · ca. 2020–2000 B.C.
Sarcophagus with Scenes from the Lives of Saint Peter and Christ
Artist not stated in the record · early 300s, with modern restoration
Scenes in the Country
Kollner, August · n.d.
Two Angels
North Italian Painter (Verona?) · ca. 1330
American Hunting Scenes
Max, Jacoby & Zeller · ca 1870
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 403 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3170385 matched · 40 examined · 26 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 06:12 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.