Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Scepter for Papal Ceremonies” — 64 records examined, 31 dropped by the rights gate.
Archives queried 2026-08-29 18:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
University Scepter
Artist not stated in the record · early 15th century (1419? with alterations after 1478)

Scepter for Papal Ceremonies
Artist not stated in the record · mid- 17th century

Scepter with profile figures
Maya artist(s) · 600–800 CE

Papal Escutcheon
Carlo Marchionni, Italian, 1702–1786 · 1740–58

Scepter wand with feathers
Artist not stated in the record · 1200 – 1500 CE

Design for a Papal Ordre del Moreto (Order of Moreto)
Artist not stated in the record · ca. 1820

Armor for a Member of the Barberini Family
Artist not stated in the record · ca. 1623–30

Design for a Fountain with Papal Keys
Artist not stated in the record · 1750–1775

The Temple of Dendur
Artist not stated in the record · completed by 10 CE

Frame for a papal inscription
Giuseppe Barberi, Italian, 1746–1809 · 1780–1800

Frame for a papal inscription
Giuseppe Barberi, Italian, 1746–1809 · 1700–1800

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

Frame for papal inscription
Giuseppe Barberi, Italian, 1746–1809 · 1780–1800

Louis XV (1710–1774) as a Child
Hyacinthe Rigaud · ca. 1716–24

Sketches for a Gateway for a Prison Erected by Pope Pius VI
Giuseppe Barberi, Italian, 1746–1809 · ca. 1790

Statuette of Amun
Artist not stated in the record · ca. 945–721 BCE

Design for Snuff Box, Cardinal Consalvi, Papal Secratary of State to Pius VII
Artist not stated in the record · 1824

Whistling vessel
Maya artist(s) · 400–500 CE

Design for Parts of a Coach
Artist not stated in the record · 1835–40

Mirror-bearer
Maya artist(s) · 410–650 CE

Sistrum Inscribed with the Names of King Teti
Artist not stated in the record · ca. 2323–2291 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 48 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 435662 matched · 40 examined · 30 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.10 shown
These figures describe the pass run at 2026-08-29 18:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.