Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 21 shown for “Seal paste box” — 64 records examined, 34 dropped by the rights gate.
Archives queried 2026-08-28 01:51 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Seal paste box with eight horses
Artist not stated in the record · 18th century

Certificate of Authorization for the Title of "Von" for Johann Ferdinand Richter
Franz Mayer, Austrian, active 1700s · April 7, 1785

Box for Seal Paste
Artist not stated in the record · 1678–88

Phoca vitulina
Artist not stated in the record · 17 Apr 1995

Box for seal paste
Artist not stated in the record · 1713–22

Box with seals
Artist not stated in the record · early 19th century

Seal paste box
Artist not stated in the record · late 17th–early 18th century

Box, Jewelry, and Seal Designs
Jean-Baptiste Fay, French, active 1765 – 1790s · late 18th century

Seal paste box
Artist not stated in the record · late 17th–early 18th century

Box, Jewelry, and Seal Designs
Jean-Baptiste Fay, French, active 1765 – 1790s · late 18th century

Seal paste box with dragon
Artist not stated in the record · 18th century

Seal
Artist not stated in the record · 19th century

Seal paste box with dragons
Artist not stated in the record · early 18th century

Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set "Neues sehr dienliches Goldschmids Büchlein"
Paul Decker, 1677–1713 · ca. 1705

Seal paste box with dragon
Artist not stated in the record · 19th century

Box
Artist not stated in the record · early 19th century

Seal-Paste Box
Artist not stated in the record

Skippet and cover with seal of Leopold II
Artist not stated in the record · 1790–92

Seal paste box with eight trigrams
Artist not stated in the record · 18th century

Seal paste box with boys and mythical beast qilin
Artist not stated in the record · late 17th–early 18th century

Lump of Blue Paste
Artist not stated in the record · ca. 1473–1458 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1029 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 132655 matched · 40 examined · 31 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.9 shown
These figures describe the pass run at 2026-08-28 01:51 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.